the inside track

Margo Priceā€™s ā€˜Iā€™d Die for Youā€™ Is Transcendent Rock Music

Photo: Stephen J. Cohen/Getty Images

Margo Priceā€™s voice has always been larger than life. On her 2016 debut, Midwest Farmerā€™s Daughter, she stunned from the first chorus of opening track ā€œHands of Time.ā€ It sounded effortless ā€” not just the vocals, but the lyrics laying out her familyā€™s history and struggles. Thatā€™s always been the dual draw of Priceā€™s music: that voice and those lyrics. Both shine through as ever on Priceā€™s third album Thatā€™s How Rumors Get Started, finally released July 10 after being rescheduled due to the coronavirus pandemic. And theyā€™re the simple reasons why closing track ā€œIā€™d Die for You,ā€ a stark departure from Priceā€™s past sound on her most adventurous record yet, shouldnā€™t be so surprising.

Price always stood out from the country crowd. Nashville didnā€™t want her; she performed there for years before eventually signing to Jack Whiteā€™s Third Man Records and selling her engagement ring to pay for sessions at legendary Sun Studio in Memphis. Her music always opted for more of an Americana flair, rather than leaning into the commercial pop-country trend, meaning she never broke into radio. But it took leaving Whiteā€™s label and teaming up with fellow Nashville outsider Sturgill Simpson for Price to show off her rock bona fides. Rumors spans heavy southern rock on ā€œTwinkle Twinkleā€ to ā€™80s-ish New Wave on ā€œHeartless Mind,ā€ ending with a song more fitting for Woodstock than the Ryman. ā€œIā€™d Die for Youā€ is the biggest song Price has ever made: rock music with psychedelic and gospel undertones, a hymn more focused on life than whatever comes after.

Itā€™s built on slippery, loud guitars, keeping more rhythm than whatever drums and bass you may be able to hear. Those guitars could swallow up many singers in Nashville, but not Price. She belts solo on this song, after leaning on the Nashville Friends Gospel Choir on a few of Rumorsā€™ other big tracks. ā€œSome say ā€˜ours,ā€™ some say ā€˜mineā€™ / But we all bleed the same blood,ā€ she sings in one verse. This time, rather than retelling what sheā€™s done, Price interprets what she sees: poverty, gentrification, greed, hate. Sheā€™s disillusioned, but she holds onto love. ā€œI canā€™t live for them, itā€™s true,ā€ she confesses. ā€œBut honey, I would die for you.ā€ Itā€™s not hopeful, and it doesnā€™t need to be, coming from a woman whoā€™s seen her share of shit. Listeners who know Priceā€™s story will find her a commanding preacher, while those who donā€™t will quickly become fixated by the force of her voice and clarity of her words.

For over a year now, Price has been hinting at ā€œa psychedelic gospel recordā€ she recorded with husband Jeremy Ivey, whose writing and guitar also features heavily on nearly every Rumors track. As the albumā€™s closer, itā€™s hard not to hear ā€œIā€™d Die for Youā€ as a first taste of that, Price getting ready for what could be next. ā€œI think that you have to keep changing and moving in order to grow,ā€ she told Vulture of Rumors. Price has had music like ā€œIā€™d Die for Youā€ in her all along. That song only makes you want to hear what else she can do.

Margo Priceā€™s ā€˜Iā€™d Die for Youā€™ Is Transcendent Rock Music