When Burna Boy recorded the album that heâd go on to call African Giant in the fall of 2018, he was still growing into the title. The Nigerian star was already signed to Atlantic Records â a feat for an artist as unabashedly global as himself, fusing west African, Caribbean, and American music into a blend thatâs nothing short of addictive. But he wouldnât fully take the throne until the following year, when that album became one of the yearâs most celebrated (even netting him a Grammy nomination), he sold out Londonâs Wembley Arena, and between it all, he featured on BeyoncĂŠâs Lion King: The Gift album. New album Twice as Tall, his fifth, released a little over a year after African Giant on August 14, only continues Burna Boyâs rise. Itâs executive produced by Diddy and has features ranging from Senegalese legend Youssou NâDour to grime pioneer Stormzy. (It also comes two weeks after âJA ARA Eâs scene-stealing appearance Black Is King.) And while Burna Boy uses opening track âLevel Upâ to revisit his wild recent rise, he also makes clear that heâs not getting complacent.
The first voice on âLevel Upâ isnât Burna Boyâs, but a tinny sample of 1950s hitmaker Pat Boone singing a song from the 1959 film Journey to the Center of the Earth. âOh, Iâd have to be twice as tall, at least, to view better than I do,â he sings. It gives way to Burna Boyâs own anxieties. âStart feeling like I had enough, then I contemplate giving up,â says the performer whoâs always projected a rapperâs swagger. In the second verse, he dives into specifics: finally being able to afford his weed when he started selling out venues, throwing up from nerves before the Grammys (Angelique Kidjo, a legend of her own who featured on African Giant, won in the World Music Album category).
Itâd all be enough to discourage some, but not Burna Boy, whoâs been hustling since he dropped two mixtapes in 2011. The simple beat finally picks up a bit toward the end of the second verse â âLevel Upâ isnât trying to be Twice As Tallâs most exciting or adventurous track â as Burna Boy does the same. âI remember feeling legendary in Wembley arena,â he says. âYouâd be proud of me too, if you knew where I was coming from.â He did, after all, leave his home of Nigeria to study in London, only to return to Nigeria to try his hand at music instead. The leap really began to pay off in late 2018, when his infectious hit âYeâ blew up his international profile and emblematized Nigerian pride.
Where the one white voice on âLevel Upâ projected some of Burna Boyâs self-doubt, the two Black icons who join him only offer encouragement. NâDour is far and away the most exciting part of the track, stopping the show with a simple, inspiring chorus in Woluf and English. After the first chorus, the Boone sample returns, but you can barely make out the words as itâs pummeled by drum and bass â Burna Boy now demands to be listened to on his own. Diddy delivers his own message in the outro as NâDour finishes the final chorus: âDonât be afraid to step into your greatness, people.â His message bleeds into âAlarm Clock,â and the album is off with a bang, for 45 more minutes of Burna Boy confronting his critics, standing against oppression, pushing himself, and (deservedly) flexing. He is an African giant now, no question. Why stop there?
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