Alison Willmore is a film critic for New York magazine and Vulture. Formerly, she was the only critic at BuzzFeed News, the first TV editor at IndieWire, and the host of Filmspotting: SVU.
Are We Getting The Substance All Wrong?The Demi Moore horror film is being hailed for its feminism, but its real strength is in its portrayal of addictive behavior.
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In Search of a More Welcoming RealityJane Schoenbrun’s I Saw the TV Glow is an enveloping, confounding film about isolation, gender transition, and Buffy the Vampire Slayer.
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A Different Man Might Be Overthinking ThingsSebastian Stan is very good in this droll, distant drama about being unable to escape yourself, but it’s Adam Pearson who brings the film to life.
My Old Ass Is Low-Key DevastatingMaisy Stella and Aubrey Plaza star in a rewarding coming-of-age story about getting the chance to advise your teenage self.
venice 2024
What Is the New Standard for American Cinema?The movies in competition at the 2024 Venice Film Festival told a story of a porous U.S. film world, a washed up scene, or something in between.
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Miyazaki Didn’t Lose a StepHayao Miyazaki’s Oscar-winning film The Boy and the Heron is a reminder of what makes him an animation legend.
Josh Hartnett Gives Grade-A Murder Daddy in TrapM. Night Shyamalan’s latest works better than should be possible because of Hartnett, who plays a monster wearing the skin of a devoted family man.
Catherine Breillat Is Back, BabyThe transgressive French filmmaker is in fine, fucked-up form with Last Summer, about a middle-age lawyer who starts sleeping with her stepson.
Janet Planet Will Grow on YouAnnie Baker’s coming-of-age film features a career-best performance from Julianne Nicholson as a crunchy single mom living in Western Massachusetts.
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The Watchers Squanders Its Creepy PremiseM. Night Shyamalan’s daughter makes her directorial debut with a horror movie about reality TV and the strange creatures that watch it.
The Iron Claw Should Be Even SadderZac Efron, Harris Dickinson, and Jeremy Allen White star in the story of a tragic wrestling family that holds its subjects at arm’s length.
Guy Ritchie Goes Brutally PoshThe purveyor of British gangster sagas goes upscale for his Inglourious Basterds knockoff, The Ministry of Ungentlemanly Warfare.
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Drive-Away Dolls Is Just Fizzy EnoughMargaret Qualley and Geraldine Viswanathan star in a lesbian road-trip comedy that will mostly remind you of better movies.
Did We Really Need Kaiju to Get All Cute?Godzilla x Kong: The New Empire doesn’t deliver the giant-monster goods, but it does make its creatures disconcertingly adorable.
A New Road House by Way of Looney TunesJake Gyllenhaal is better at oddballs than heroes — thank God he’s playing one of the former in this Road House remake.