Bilge Ebiri is a film critic for New York and Vulture. His work has appeared in The Village Voice, the New York Times, Rolling Stone, and the Criterion Collection.
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Filmmaker Ken Jacobs in Stereo(graph)In his ‘Capitalism: Slavery,’ the director takes a Victorian stenograph of cotton pickers and, essentially, animates it into cinema.
Filmmaker Nuri Bilge Ceylan Spins a Melancholy CocoonIt’s more abstract than his later films, but it’s still clearly his work, as evidenced by its evocative shots of nature, its glimpses at family life, and its lushly melancholy mood.
See Duke Ellington’s Movie DebutAs such, it’s a part of both cinema and music history, even though, as a film, it’s basically an excuse to showcase Ellington’s musicianship.
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Oscar Shorts Shatter IFC RecordAmid all the gloomy news about this year’s big Oscar nominees not exactly setting the box office on fire, an unlikely savior seems to have materialized.
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Filmmaker Cruz Angeles Makes Uncomfortable ArtOne of our favorite films at this year’s Sundance Film Festival was Cruz Angeles’s beautiful debut feature. So we decided to delve into his back catalogue.
Sundance Wants to Sex You UpAshton Kutcher gigolo flick! Amber Heard constantly naked! Possible secret screening of Steven Soderbergh’s Sasha Grey flick!
Filmmaker Ilya Chaiken Blacks OutShot on a dime, ‘Blackout’ is a funny, genuinely unsettling look at an unfortunate hookup in the midst of the big power outage of 2003.
See the Short That Got Filmmaker Seith Mann a Job on ‘The Wire’Seith Mann’s intense, touching, and very well-made 2003 NYU short five deep breaths helped get both Mann a stint directing on the show and its lead, Jamie Hector, the chance to play young drug lord Marlo Stanfield.