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MOST RECENT ARTICLES BY:
David Edelstein
Senior Movie Critic
See all their articles from across New York Magazine
Email
[email protected]
May 14, 2018
Deadpool 2
Is Tedious and Predictable
Ryan Reynolds returns for a film that spits one-liners as mechanically as a tennis-ball launcher.
May 11, 2018
Terminal
Isn’t Stylish, It’s Style-Clotted
The Margot Robbie vehicle is a genre unto itself: Crayola noir.
May 11, 2018
The Seagull
Is a Platform for a Definitive Annette Bening Performance
Anton Chekhov’s Arkadina is one of literature’s most narcissistic mothers — which is saying something — and yet Bening makes her damnably human.
May 11, 2018
Revenge
Inverts Its Titular Genre Without Transcending It
But Coralie Fargeat doesn’t linger on or eroticize the violence against her heroine — this isn’t torture porn.
Apr. 27, 2018
The Rachel Divide
Is a Rorschach Blot for Its Viewers
Some people think it’s a hatchet job, others that it gives Rachel Dolezal’s commitment to social justice too much credence.
Apr. 27, 2018
Olivier Assayas’s
Cold Water
Is in a Class by Itself
The writer-director found his voice in his fifth feature, a high-strung teenage love story released in 1994 in France but not, until now, in the U.S.
movie review
Apr. 25, 2018
Disobedience
Is a Portrait of Lost Women Seeking Connection
Sebastián Lelio’s drama, starring Rachel Weisz and Rachel McAdams, isn’t packed with surprises, but that’s not why you go to a movie like this.
movie review
Apr. 24, 2018
Avengers: Infinity War
Will Dazzle, Stagger, and Rile You Up
Marvel’s films have little in the way of a vision, but audiences have so much feeling for these characters that it doesn’t entirely matter.
Apr. 20, 2018
Tully
’s Setup Is Subpar, But It Soon Becomes Magical
Something happens when the character of Tully comes: The movie contracts in a good way, deepens, and becomes very impressive.
Apr. 18, 2018
17 Films You Should See at This Year’s Tribeca Film Festival
Including a forbidden romance between Rachel McAdams and Rachel Weisz, and Alexander Payne’s
Tully.
Apr. 13, 2018
Which Horror Movie Should You See This Friday the 13th Weekend?
Marrowbone, 10x10, A Quiet Place,
and
Truth or Dare
are all available to freak you out this weekend.
Apr. 10, 2018
In
Beirut
, Jon Hamm Has Fully Arrived on the Big Screen
Just as smart is Brad Anderson’s direction, which is clean and crisp but never on the nose.
Apr. 6, 2018
Michelle Pfeiffer Is Stunning in
Where Is Kyra
?
See this on the big screen.
Apr. 5, 2018
Blockers
Is a Raunchy Farce That’s Fundamentally Sweet
Beneath the whacking, smutty, in-your-face teen sex farce,
Blockers
is a mature, thoughtful exploration of parental responsibility.
movie review
Apr. 4, 2018
HBO’s
Paterno
Takes an Unconventional Approach to a Cautionary Tale
As the title character, the usually galvanic Al Pacino barely speaks, a nearly-still center surrounded by smash cuts and TV-talking-head inserts.
movie review
Apr. 3, 2018
John Krasinski’s
A Quiet Place
Uses Its Gimmick to Terrifying Effect
The catch in this horror film is thunderously effective: Don’t make a sound or you’re dead meat.
Apr. 2, 2018
The Last Movie Star
Is a Banal Burt Reynolds Vehicle
But for all my groaning during the film, I couldn’t help being haunted.
Mar. 30, 2018
Love After Love
Is a Revelatory Moment for Andie MacDowell
Russell Harbaugh’s debut is swimming with hate, but MacDowell takes out the sting.
movie review
Mar. 29, 2018
Ready Player One
Is a Lively and Agreeable Work of Fanboy Art
It’s a first-rate film fashioned from secondhand materials.
movie review
Mar. 22, 2018
Isle of Dogs
Should Make You Howl With Joy
In Wes Anderson’s latest, nothing fits together and everything harmonizes, magically.
movie review
Mar. 21, 2018
Stanley Tucci’s
Final Portrait
Is Quietly Brilliant
As a director, Tucci appears to savor the step-by-step process of creation from both his characters and his actors, Armie Hammer and Geoffrey Rush.
movie review
Mar. 20, 2018
Steven Soderbergh’s
Unsane
Toys With Reality
Like most of his films, Soderbergh’s new thriller, starring Claire Foy, tests a complicated thesis.
Mar. 19, 2018
7 Days in Entebbe
Muddles an Otherwise Fascinating Story
Rosamund Pike and Daniel Brühl can’t save Jose Padilha’s latest.
movie review
Mar. 15, 2018
Tomb Raider
Is the Sort of Pulpy Action Fun That We Undervalue
Starring Alicia Vikander, the film does everything right that last year’s
The Mummy
did so garishly, painfully wrong.
Mar. 7, 2018
The Wobbly and Woozy
A
Wrinkle in Time
Only Works When It’s Grounded
Let’s joyously welcome Ava DuVernay back to Earth.
Mar. 7, 2018
The Death of Stalin
Walks the Line Between Satire and Horror
Armando Iannucci gets that grotesque horrors often emanate from egotists, clowns, and stumblebums, from small-minded people with unchecked powers.
Mar. 7, 2018
Al Pacino on Young, Middle, and Late Al Pacino
Ahead of his first major New York retrospective, the actor looks back on his career.
Mar. 5, 2018
Oscars Review: The Most Inspiring Broadcast, the Most Disappointing Awards
This year, there was grace, positivity, and a slew of disappointing winners.
Mar. 2, 2018
Eli Roth’s
Death Wish
Remake Is Practically an NRA Promo
It couldn’t have arrived at a worse time (or a better one, depending on your perspective).
Mar. 2, 2018
Mute
Is Meh, But Gets Points for Being Extremely Random
Duncan Jones’s latest feels like its plot has been laid out in a
Mad Lib
.
Mar. 1, 2018
Red Sparrow
Is Convoluted and Uninvolving
How could Jennifer Lawrence, a delight in drama and comedy, have done this to herself?
movie review
Feb. 27, 2018
Foxtrot
Is a Punishing Drama That Toes the Line of Black Comedy
Israeli director Samuel Maoz’s alternately acclaimed and reviled film is thick with grief, confusion, and metaphor.
Feb. 16, 2018
Alex Ross Perry’s
Nostalgia
Is a Deep Look at Impermanence and Pain
Any film flooded with this level of emotion is worthy of our respect — and our tears.
movie review
Feb. 16, 2018
Black Panther
Is Unusually Gripping and Grounded for a Superhero Film
Chadwick Boseman is simply magnetic as T’Challa, the African king fighting evil in the guise of a wildcat.
movie review
Feb. 16, 2018
The Party
Puts Its Politics Front and Center
Writer-director Sally Potter returns with a brief and darkly amusing specimen of the dinner-party-from-hell subgenre.
movie review
Feb. 13, 2018
Review:
Loveless
Conjures Humanism Out of Wretchedness
Russian director Andrey Zvyagintsev’s drama is about a state of mind, a lament, an indictment of crimes against the human spirit.
Feb. 12, 2018
Permission
Begins As a Rom-Com and Turns Into a Rom-Squirm
Ungainly as it is, though, it delivers a hell of a kick.
Feb. 9, 2018
The
15:17 to Paris
Is a Rickety Celebration of Old-fashioned American Heroism
I like it — in spite of its dumbbell infelicities.
Feb. 5, 2018
The Cloverfield Paradox
Has Some Colossal Issues
The problem with retrofits is that they can’t spiral off in entertaining new directions. They have to come crashing back to Franchise-Land.
Jan. 26, 2018
Please Stand By
Is a Thoughtful But Stiff Look at Autism
Dakota Fanning plays a young woman on the spectrum who travels to L.A. to deliver her
Star Trek
script.
Jan. 26, 2018
The Best of the 2018 Sundance Film Festival
The best performances, the creepiest noises, and the tiniest horses out of this year’s Sundance Film Festival.
Jan. 25, 2018
A Futile and Stupid Gesture
Captures Doug Kenney While Respecting His Mystery
It’s not particularly illuminating, but it’s far from futile.
Jan. 24, 2018
As Oscar Wilde, Rupert Everett Lifts
The Happy Prince
Into the Stratosphere
The Happy Prince
proves that a film can be both bleak and warm-spirited, as befits its mighty subject.
Jan. 23, 2018
Daisy Ridley’s
Ophelia
Is a Juicy, Crowd-Pleasing Shakespeare Revamp
But perhaps, given the runaway strength of Naomi Watts’s supporting performance, it should have been titled
Gertrude
.
Jan. 21, 2018
Rose Byrne and Ethan Hawke’s
Juliet, Naked
Revitalizes the Romantic Comedy
Jesse Peretz’s adaptation of Nick Hornby’s novel explores what happens when a superfan’s idol and girlfriend strike up a relationship of their own.
movie review
Jan. 20, 2018
Kathryn Hahn Is Dazzling in
Private Life,
a Tale About Makeshift Families
Hahn and Paul Giamatti star in a comedy (of sorts) about a couple whose relentlessly unsuccessful attempts to conceive are stressing them out.
Jan. 20, 2018
12 Strong
Is an Underwhelming Tribute to the ‘Horse Soldiers’ of the Afghan War
The film based on Doug Stanton’s book doesn’t do justice to the powerful true story of the 12 Americans who gathered intel in Afghanistan after 9/11.
movie review
Jan. 19, 2018
The Final Year
Gives an Insider’s Perspective of the Obama Presidency
Greg Barker’s swift documentary covers the achievements, mistakes, and compromises that make the Obama legacy alternately exhilarating and depressing.
Jan. 16, 2018
The Insult
, Lebanon’s Oscar Entry, Is an Evenhanded Look at Racial Animus
Part of the film is a crackerjack courtroom drama. What’s dull is the trajectory.
Jan. 12, 2018
Proud Mary
Is Rhythmless, But Has Some Standout Performances
Taraji P. Henson holds her pedestal but doesn’t do much on top of it, while Billy Brown smolders in a vacuum.
More Articles