Vulture and New York TV critic Jen Chaney previously worked for the Washington Post and has bylines at the New York Times and Vanity Fair. She also wrote As If: The Complete Oral History of Clueless.
tv review
Snowpiercer Is Slow to Leave the StationThe long-gestating TV adaptation of Bong Joon Ho’s movie is both larger in scope and messier in execution, especially in its shaky early episodes.
overnights
Mrs. America Recap: Pie in the EyeThe road to a showdown at the National Women’s Convention is paved with pie assault and deep-fake mixtapes.
The Eddy Has Its Own RhythmsIf you can surrender to its freewheeling tempo, you may find pleasure, even moments of joy, in Netflix’s new Parisian jazz drama.
Devs Takes Its Time to Blow Your MindThe FX on Hulu miniseries has all the hallmarks of a story by Alex Garland (Ex Machina, Annihilation), but that may be more of a liability in TV form.
I Am Not Okay With This Goes Out With a BangThe blood-splattered finale of Netfilx’s superpowered coming-of-age story is the culmination of a season-long remix of classic teen movies.
Thank God High Fidelity Fixed RobBy casting Zoë Kravitz as its music-savvy lead, the new Hulu adaptation upends the novel’s and the film’s most infuriating gender bias.
tv review
High Fidelity Is a Great Cover of the OriginalThe similarities between Hulu’s take on the Nick Hornby novel and 2000 film are unmistakable, but its changes to the source push it in new directions.