The New Astor Place Rhino Sculpture Is a Kitschy Monstrosity It helps proves my theory that 95 percent of public sculpture is crap.
This Nobel Laureate in Medicine Belongs Next to Michelangelo As a Draftsman Santiago Ramón y Cajal is the only Nobel Prize winner in history — in physiology and medicine in 1906 — to also be a truly great artist.
Reuse, Reinvent, Reimagine: The Brilliance of Hans-Peter Feldmann Today, the pioneer of artistic appropriation can be regarded as Instagram before Instagram.
Antiguan Master Frank Walter Is a Revelation at ADAA Walter never found the recognition he was looking for; he yearned to have his work seen and acknowledged in his lifetime.
The New Museum’s ‘I Am More Woke Than You’ Triennial But we must not blame artists for this curatorial belaboring.
LaToya Ruby Frazier Is a Goya of Black America In her photographs, I see the rotten social malignancy that perpetuates entrenched racial discrimination.
Imagining Donald Trump Sitting on Maurizio Cattelan’s Solid-Gold Toilet When I first saw Cattelan’s toilet I considered it an obvious comment on the market. Yet at the White House it would have much more charged meanings.
art and money
Jan. 4, 2018
The Met’s Admission-Fee Hike Points at a Much Bigger Problem The newly fortified ticket price is a drag. But what got us here is worse.
Wherever the New Artforum Is Heading, I’m Along for the Ride In David Velasco, the magazine has a new editor, new energy, and new purpose. Thank God.
11,000 People Demanded the Met Remove This Painting. They Aren’t Going To. Good. In many ways it is a sign of art’s complexity that it generate a wide variety of responses.
year in culture 2017
Dec. 8, 2017
The 10 Best Art Achievements of 2017 Artists from Kara Walker to Jonathan Horowitz address the Trump era with fire and fury.
I Wish This Tribute to Oscar Wilde Could Remain in New York Forever This enchanted mise-en-scène is devoted to Wilde’s tragic last chapter: his trial and imprisonment for homosexuality, followed by his death in exile.
Michelangelo Exploded Art History, Just With His Drawing The Metropolitan Museum’s new show is a stupendous metaphysical-visual exhalation.
We Can Now Divide Art History Into Before Linda Nochlin and After The late critic’s 1971 essay blew through the gates of art-world patriarchy.
Radical in Content, Retrograde in Form: What Should We Make of ‘Trigger’? I wish I didn’t feel as conflicted as I do about this show that surveys “gender beyond the binary.”
Kara Walker’s New Show Is the Best Art Made About This Country in This Century It’s extraordinary to see an artist responding so well to the incredible political storm blowing all around us.
Jerry Saltz: I Give In, MoMA. You’ve Won Me Over. (Halfway, Anyway.) MoMA has been this broken spatial matrix since November 4, 2004, the day it reopened with great fanfare.
Looking for New Electricity in the Mostly Static Art World It’s not a matter of art being becoming more political. But the more I look for signs of artistic vitality, the more frustrated I’ve become.
Vito Acconci, 1940–2017 He was the art world’s man in black, our mysterious you-want-it-darker Vito di Milo.
Glenn O’Brien and the Avant-Garde That Lost Three Sundays ago, I went to the beautiful memorial for the great writer-impresario-thinker Glenn O’Brien, and a melancholy thought took hold of me.
art and design 2017
Apr. 18, 2017
Jerry Saltz Reviews Jerry Saltz: A Critic Looks at His Own Early Artwork Before I became a critic, I was an artist, and in the early 1970s, I feverishly devoted myself to illustrating the entirety of Dante’s Divine Comedy.
Jerry Saltz: My Life As a Failed Artist Decades after giving up the dream for good, an art critic returns to the work he’d devoted his life to, then abandoned — but never really forgot.
remembrances
Apr. 1, 2017
The Most Memorable Thing I Saw at the Art Fairs: The Photographs of Aneta Bartos These haunted, staged photographs of the artist partially clad in bra and panties or camisoles with her Speedo-wearing, bald, bodybuilder father.
Can Bad Art Be Made Good by Changing Political Times? The Case of Robert Longo Longo’s sculptural excess and atrociousness speaks new languages and is more acrid than ever.
Andrea Rosen Has Decided to Close Up Shop. This Is a Major Loss. Rosen gave us Felix Gonzalez-Torres, John Currin, and Wolfgang Tillmans — who together invented the 1990s art world.
art in our time
Feb. 13, 2017
What Photography Can Learn From Danny Lyon in the Age of Trump Most people have never heard of one of the most powerful and political photographers in history, Danny Lyon.
The Artwork That Jerry Saltz Can’t Stop Thinking About Glenn Ligon’s conceptualist text piece is neither protest nor poetry.
Staring at Trump’s Body, What Do You See? Artist Jonathan Horowitz takes us on a journey into the metaphysics of the president’s great, somewhat mysterious, half-beast behemoth bulk.
Richard Prince Just Showed How Art Fights Trump “This is not my work. I did not make it. I deny. I denounce. This fake art.”
What 2017 Needs From the Art World: A Commitment to New Art As a critic, I need to make a commitment to the art of this moment. I want the art world as a whole to do the same.
Eric Fischl’s New Master Portrait of America Looking at it, I felt like I had fallen through a trapdoor.
Considering the Ankara Assassination Photos As History Painting What makes these pictures so different from all of the other pictures of death that we see?
year in culture 2016
Dec. 7, 2016
The 10 Best Art Shows of 2016 What art and which artists had inklings we were entering a paradigm shift?
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