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Jerry Saltz: On Helen Frankenthaler, 1928–2011“There was picture-making, pure and simple. And beauty. Lots of it.” –
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Jerry Saltz’s Work of Art Finale Recap: The Drama’s DoneI end this strange, strange voyage into art criticism on television.
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Jerry Saltz Reviews Sucklord’s Jerry Saltz Action FigureWork of Art’s Sucklord made an action figure of Jerry Saltz. So we asked Jerry to review it.
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30. Because New York’s Galleries Are the Greatest Single Machine Ever Invented for Exhibiting Art.Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries.
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Saltz: The Prince of the One Percent Would Like You to Know That Buying Art Is Less Fun These DaysJerry Saltz does not mince words when it comes to collector-columnist Adam Lindemann’s anti–Art Basel Miami Beach screed.
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The Year in ArtThe Cold War, fifties brushstrokes, and a pickup artist run amok.
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The Long SlideMuseums as playgrounds.
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Jerry Saltz’s Work of Art Recap: Elimination HeartbreakToward the end of this episode, the drama queen in me held sway behind the scenes.
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It’s Payback TimeSherrie Levine’s retrospective turns a very cold eye on the gender dynamics of the art world.
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The Redemption of Maurizio CattelanI expected a punch line by the art world’s favorite jokester, but left the Guggenheim in awe.
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MeccaOn the Metropolitan Museum’s swoon-inducing new galleries devoted to art of the Near East.
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Work of Art Recap: Jerry Saltz Is Back Recapping His Own Reality ShowWrites our art critic, “I’m as shocked as anyone that this strange, strange show lasted past season one.”
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Imported From DetroitMatthew Barney’s epically mystic Egypto-industrial detritus sculpture inspires and transports.
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DefinitiveAt MoMA, the full, amazing, ever-evolving, never-retreating story of Willem de Kooning.
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Photos of the Artists As Young MenRobert Rauschenberg’s portraits of his extraordinary friends.
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Missing-Persons PostersStreet art with awful power.
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Why de Kooning MattersOn the eve of the AbEx master’s retrospective, his biographer (and our former critic) Mark Stevens chats with Jerry Saltz.
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Jerry Saltz on Lucian FreudWhy artists you don’t love can still be great.
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Jerry Saltz Celebrates the Life and Art of Cy TwomblyHis paintings are aphrodisiacal abstract seas wafting with ironic distance.
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Help Jerry Saltz Build an Art Family TreeHe needs help in building a definitive chart of which known artists once worked for and were inspired by another.
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Generation BlankThe beautiful, cerebral, ultimately content-free creations of art’s well-schooled young lions.
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Jerry Saltz’s Best and Worst of the Venice BiennaleHis five personal favorite pavilions and his three least favorite.
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Saltz on the Ugly American at the Venice Biennale“I think being embarrassed to be an American is partly what this is about.”
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Making the Spirits DanceMark Grotjahn’s sinews of paint take on lives of their own.
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In the Future, Every Millionaire Will Buy and Sell Fifteen WarholsWith Andy dominating another auction season, Jerry Saltz explains why the artist makes rich guys go gaga.
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Drawing From NightmaresKara Walker returns to basics and makes her most powerful images yet.
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The Rutting BullAn exhibition devoted to Picasso and a mistress-muse is soaked in sex.
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Desolation RowKaty Grannan lets her subjects direct her—and they often reveal far more than they expect.
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Jerry Saltz on John McCracken, 1934–2011The minimalist sculptor was “a great space cowboy.”
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Jerry Saltz on John McCracken, 1934–2011The minimalist sculptor was “a great space cowboy.”
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Jerry Saltz on the Unveiling of The Andy Monument“I hope you like it for more than fifteen minutes,” said the artist.
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After the DripsOnce Jackson Pollock exploded painting, anything from petals to pee could wind up on a gallery wall.
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Jerry Saltz on Andy Warhol’s Portraits of Liz“Andy is in the air we breathe; Liz was in the air he breathed.”
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Jerry Saltz on What May Be the Greatest Movie EverChristian Marclay’s ‘The Clock’ is a 24-hour ode to time.
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ask an art critic
Ask an Art CriticIncluding the the Jerry Saltz Abstract Manifesto, in Twenty Parts.
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Three of a KindA trio of Cézannes walks us through the artist’s pioneering way of seeing space.
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Saltz: Remembering Dennis Oppenheim, Artist Gone Spectacularly RogueWhatever Oppenheim’s work meant, you immediately got that he was taking art into the world, and bringing the world into his art.
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