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MOST RECENT ARTICLES BY:
Sara Holdren
Theater Critic
See all their articles from across New York Magazine
Follow
@swholdren
on Twitter
Email
[email protected]
Sara Holdren is a theater director and a critic at New York magazine and Vulture.
Read More
theater review
Apr. 25, 2019
Theater Review:
Beetlejuice
Is Best When It’s at Its Most Antic
Alex Brightman has what it takes to fill this high-energy emcee’s role.
theater review
Apr. 24, 2019
Theater Review: In
Ink,
What’s Black and White and Rupert All Over
The making of a tabloid mogul.
theater review
Apr. 24, 2019
Theater Review: Can
Tootsie
Work When It’s Not 1982?
Bubbly, clever lyrics can’t save a fundamentally flawed project.
theater review
Apr. 22, 2019
Theater Review: An Affair Gone Toxic in
The Pain of My Belligerence
Halley Feiffer wrote and stars in a play about a bad date that, over the years, gets worse and worse.
theater review
Apr. 22, 2019
Theater Review: All About the Men in
All My Sons
Annette Bening squeezes every bit of power out of a too-slight part.
theater review
Apr. 21, 2019
Theater Review: Shakespeare, Riffed On Relentlessly, in
Gary
With Nathan Lane as the titular clown.
theater review
Apr. 18, 2019
Theater Review: A Transitory Journey to the Recent Past in
Hillary and Clinton
Laurie Metcalf and John Lithgow as the couple we all think we know.
theater review
Apr. 17, 2019
Theater Review: The Songwriting and Storytelling Tours de Force of
Hadestown
Ancient myths, made absolutely fresh.
theater reviews
Apr. 16, 2019
Theater Review: Men Behaving Bigly, in
Burn This
and
Socrates
Adam Driver looks giant up there onstage.
theater review
Apr. 15, 2019
Theater Review: Counting One’s Way Through
17 Border Crossings
Visual ingenuity but the sketchlike structure sags.
theater review
Apr. 13, 2019
Theater Review: The Dizzying Whirl of a Messy Texas Family in
Plano
“If you live in this world, time flies when you’re having the opposite of fun.”
theater review
Apr. 8, 2019
Theater Review: Focus-Group Friction in
Mrs. Murray’s Menagerie
Without vague distancing language like “problematic.”
theater review
Apr. 7, 2019
The Brightness (and Badonkadonk) Amid the Menace: Re-Reviewing
Oklahoma!
This groundbreakingly dark production also contains a lot of joy, not to mention sex appeal.
theater review
Apr. 4, 2019
Theater Review: Once More Into the Storm With
King Lear
With Glenda Jackson as the king.
theater review
Apr. 3, 2019
Theater Review: John Doyle Strips
The Cradle Will Rock
Down to the Bare Wood
John Doyle applies his tool kit to the 1937 agitprop play.
theater review
Apr. 2, 2019
Theater Review: The Loopy, Barbed Office Satire of
Do You Feel Anger?
An empathy expert comes to a collections firm.
theater review
Mar. 31, 2019
Theater Review: Debating
What the Constitution Means to Me
Our theater critic and Supreme Court correspondent parse the show’s transfer to Broadway.
theater review
Mar. 29, 2019
Theater Review: A
Julius Caesar
That’s All Noble Ideas
The cast is cast.
theater review
Mar. 28, 2019
Theater Review: Turning the Crash Into Entertainment With
The Lehman Trilogy
The lead-up to the downfall.
theater review
Mar. 27, 2019
Theater Review:
Ain’t No Mo’
Is a Biting Farce That Takes Flight
Jordan Cooper’s new play is a suite of comic sketches.
theater review
Mar. 21, 2019
Theater Review: A Temptations Bio-Musical and What Coulda Been
Ain’t Too Proud
: unbeatable songs and not much drama.
theater review
Mar. 20, 2019
Theater Review: Suzan-Lori Parks’s White Noise Is Sneakily, Subtly Radical
With the amazing Daveed Diggs at its center.
theater review
Mar. 14, 2019
Theater Review: Can
Kiss Me, Kate
Survive a 2019 Gaze?
Kelli O’Hara is nearly superhuman, and the highs in the show are very high. But you can’t get away from that script.
theater review
Mar. 10, 2019
Theater Review:
Be More Chill
Does High-School Drama With Knowing Wickedness
A story that casts a realistic eye on the cruelties of youth, and on the way graduating from high school doesn’t mean the end of our insecurities.
theater review
Mar. 10, 2019
Theater Review: Restrained Power in
If Pretty Hurts Ugly Must Be a Muhfucka
“There’s a disturbing, powerful play hiding inside Tori Sampson’s
If Pretty Hurts Ugly Must Be a Muhfucka,
but it hasn’t worked its way out yet.”
theater review
Mar. 7, 2019
Review Roundup: At St. Ann’s,
The B-Side
Gives Voice to Forgotten Men
Plus two well-intentioned misses.
theater review
Mar. 5, 2019
Theater Review: Surface Tension by the Pool, in Jeremy O. Harris’s “
Daddy”
Louche life in Beverly Hills.
spring theater
Mar. 5, 2019
Tony Kushner and Heidi Schreck Talk About
What the Constitution Means to Me
In advance of
Constitution’
s transfer to Broadway, Kushner and Schreck talk about his favorite new play and its reverberations large and small.
theater review
Feb. 28, 2019
Theater Review: Does
Superhero
Get Off the Ground?
Theater Review: Does
Superhero
Get Off the Ground?
theater review
Feb. 26, 2019
Theater Review: Creepers in Wonderland, in
Alice by Heart
She’s late, apparently, for a
very
important date.
theater review
Feb. 25, 2019
Theater Review: The Tightly Packed Power of
Marys Seacole
“An act of remembrance for the unremembered … a fierce, complex eulogy.”
theater review
Feb. 24, 2019
Theater Review:
Hurricane Diane,
a Tragicomedy of Eco-Collapse
A climate-saving tale that somehow reaches from ancient Greece to the housewives of Monmouth County, New Jersey.
theater review
Feb. 19, 2019
Theater Review: Discovery and Rediscovery in
By the Way, Meet Vera Stark
An overlooked (imagined) actress stands in for hundreds of lost Hollywood stories.
theater review
Feb. 19, 2019
Theater Review: Fiasco Theater’s Lo-fi Reconstruction of
Merrily We Roll Along
How does it happen? Where is the moment?
theater review
Feb. 15, 2019
Theater Review: The Tasteful Goodness of
Sea Wall
and
A Life
Jake Gyllenhaal and Tom Sturridge do some tear-jerking at the Public.
theater
Feb. 11, 2019
Theater Review: Rage and Love Times 3, in 2 Strindberg Classics and
The Light
Revivals of
Mies Julie
and
The Dance of Death
, plus Loy A. Webb’s new play.
theater review
Jan. 24, 2019
Theater Review: A
True West
That Simmers Instead of Boiling Over
A dose of restraint in a play that typically calls for amped-up intensity.
theater review
Jan. 22, 2019
Theater Review:
Eddie and Dave
Tries to Get to What’s Real
A deep and gender-flipped dive into Van Halen.
theater review
Jan. 8, 2019
Theater Reviews: Northeast Prep and Southern Gothic in
Choir Boy
and
Blue Ridge
New plays from Tarell Alvin McCraney and Abby Rosebrock.
first person
Dec. 27, 2018
I Make Plays. I Write Criticism. I’m Not My Own Enemy.
“The artist–critic war of attrition is boring. It’s a cliché.”
theater review
Dec. 13, 2018
Aaron Sorkin’s
To Kill a Mockingbird
Adaptation Walks the Walk
Bartlet Sher and a superior cast bring a period piece into the present.
off broadway
Dec. 10, 2018
Theater Review:
Slave Play
Blends the Terrifying and the Tantalizing
This show understands a good twist.
best of 2018
Dec. 7, 2018
Sara Holdren’s 10 Best Theater Productions of 2018
New life for old Greeks and Oklahomans and civics-class speechifying.
theater review
Dec. 6, 2018
Theater Review: Can a Cooled-Down
Network
Bring the Heat?
Theater Review: Can a Cooled-Down
Network
Bring the Heat?
theater review
Dec. 3, 2018
Theater Review: How Over-the-Top Should
The Cher Show
Be?
Do you believe in life after life?
theater review
Nov. 19, 2018
Theater Review: A Soft-Edged Production of Tom Stoppard’s
The Hard Problem
Tom Stoppard’s first new play in a decade gets a production that’s a little cuddlier than we’re accustomed to.
theater review
Nov. 15, 2018
Theater Review:
The Prom,
Where Theater Geeks Belt Away Without Shame
Another funny meta-musical from the team behind ‘The Drowsy Chaperone.’
theater review
Nov. 14, 2018
Theater Review: The Minor-Key K-Pop of
Wild Goose Dreams
Hansol Jung’s play gets a fantastic, enveloping production.
theater review
Nov. 14, 2018
Theater Review: Raúl Esparza Makes a Hard-to-Resist Arturo Ui
John Doyle’s customarily spare production makes Brecht great (again).
theater review
Nov. 11, 2018
Theater Review: Is Will Eno’s
Thom Pain (based on nothing)
Still Revolutionary?
Fourteen years later, it feels out-of-step.
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