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"...Quartermaine's Terms is a treasure only a fool would miss. The imbecile Moose Murders was an all-time low..."

A charming revival of Big River mixes hearing and deaf actors performing together; Avenue Q reinvents Sesame Street as adult entertainment.

The backstage drama aside, Sweet Charity is winsome if terribly slight. PLUS: A critic hangs out his closing notice.

David Mamet and his audience adore the horrid men of Glengarry Glen Ross. This can’t be a good thing.

A sexy dance but a cheesy production, �Forever Tango’ loses its tang after a few minutes.

Who’d think that the day would come when one would ache to escape from a performance of Tennessee Williams’s masterpiece?

The delightful Chitty Chitty Bang Bang proves that children’s theater need not be intolerable to adults.

The Light in the Piazza sparks at least a hope for the future of the Broadway musical.

The Pillowman revels a bit too much in its own brilliance and repulsiveness.

Here the chief concern is what I’ll call the Cold Peace, whereby the West, including ophthalmologists, is blind to Third World genocide.