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A fascinating show on the Bauhaus-trained textile artist Anni Albers may finally move her out of the shadow of her more famous husband.

At the Brooklyn Museum, idyllic views of a long-ago New York -- where crime and killer mosquitoes were as much a concern as they are today.

The Guggenheim's expansive "1900: Art at the Crossroads" presents revisionist art history, forsaking chronology and refusing to judge.

In his grandiose landscape paintings, Frederic Edwin Church staked out that typically American space between the sideshow and the sublime.

Unlike most spiritually inspired Western art, the sub-Saharan African works on display in the Met's "Art and Oracle" haven't lost their religion.

Pipilotti Rist's mix of fifties-era kitsch and postmodern self-awareness delivers a savvy commentary on the state of contemporary art.

Are the pumped-up female bodies on display in "Picturing the Modern Amazon" really showing us what liberation looks like?

"Sanitation" aside, amid all the pop effluvia and Internet art at the 2000 Whitney Biennial, there's a sense not of anger but of ease.