ARCHIVES

In the casually snapped photographs of Daido Moriyama, the boundaries between art and life, like the images themselves, can be blurry.

The Public Library uncovers anatomy of a different sort.

The Guggenheim reveals Francisco Clemente in all his voluptuary, self-involved glory.

In Carleton Watkins's exquisite photographs of the developing American West, everything -- natural and manmade -- seems to have a purpose.

For its millennial show on the human figure, MoMA rearranges some familiar works in its permanent collection -- with eye-opening results.

After more than a century, Ingres still feels mysterious and modern.

Great works and surprising moments aside, part two of the Whitney's giant survey of twentieth-century American art feels like a freshman civ course.

The Met's huge "Egyptian Art" show manages to dazzle without mummies; whispers of loss in the photographs of Adam Fuss.

This summer's bag of goodies includes the Brooklyn Museum's refreshing "Impressionists in Winter" and Surrealists at the uptown Guggenheim.