ARCHIVES

Forty years on, assessing the achievements and impact of a New Jersey based coterie of artists who turned their backs on Abstract Expressionism.

Long seen as a father of Minimalism, the sculptor Ronald Bladen looks more and more like something else entirely.

A Guggenheim exhibit of his works from the World War II era amounts to a case for Picasso as the quintessential twentieth-century artist.

In Julia Margaret Cameron's nineteenth-century photographs of women, glimpses of life as it is dreamed, not lived.

At the Whitney, the playful, eccentric Ray Johnson and his art and life of correspondence (in both senses of the word).

Dosso Dossi, an overlooked Renaissance painter more concerned with art for its own sake than with any lofty ideals, gets a reputation-building show.

In his deeply layered works on paper, Anselm Kiefer stares down Germany's dark past.

A sequel to "Babe" flops at the b.o. and costs a studio head his job -- what do they know? Mixing among the pit bulls in Manhattan, Babe triumphs hammily.