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The Met restores its "Rosenkavalier," and Renée Fleming triumphs as the Marschallin; Leon Botstein makes a convincing case for "Liebe der Danae."

Violinist Anne-Sophie Mutter's astonishing technique in a difficult repertoire has made fans of New Yorkers used to a more Romantic sound.

While bowing to F. Scott Fitzgerald, John Harbison's exceptional "The Great Gatsby" reminds us that, in the end, music must be the driving force in opera.

The Philharmonic makes a brilliant case for Copland's enduring popularity with a vibrantly performed centenary series covering nearly all the work.

After sixteen years, the Met brings back "Tristan und Isolde" -- one of the most cherished works in the repertory -- with mixed, if provocative, results.

Pierre Boulez may have toned down the rhetoric, but the avatar of the avant-garde is still making inspired music in atonal modes.

The Philharmonic asked six composers to imagine the millennium through music. The pieces show the future is in good hands.