ARCHIVES

Valery Gergiev digs into Stravinsky�the most international of composers�to find his Russian roots.

Peter Gelb’s first full season at the Met produced one shining moment� and a lot of fizzles.

Celebrating Thomas Adès, the composer-pianist-conductor of his generation.

At the Met’s new Attila, the sets are by Herzog & de Meuron and the costumes by Prada—but the show’s a lot better if you ignore them both.

In a pair of Verdi operas at the Met, Plácido fills every possible moment with starpower, to mixed results.

Justin Davidson on the Metropolitan Opera's Carmen.

A director melds classic poetry and music, seeking more than the sum of the parts.

From the House of the Dead comes alive at the Met.

City Opera comes home, looking reassuringly like its old self.

So Percussion tries to make music out of the city’s noise.