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Displaying all articles tagged:
Movie Review
movie review
Aug. 15, 2018
To All the Boys I’ve Loved Before
Is a Witty, Sweet Teen Romance
Netflix’s latest rom-com is on par with the best of them.
By
Emily Yoshida
movie review
Aug. 10, 2018
A Prayer Before Dawn
Is a Harrowing, Educational Prison Drama
It would make a great pick for a jailhouse movie night.
By
David Edelstein
movie review
Aug. 10, 2018
Skate Kitchen
Is a Slice-of-Life of Girl Skaters in NYC
Crystal Moselle’s narrative follow-up to
The Wolfpack
has some lovely observations and a great real-life skater ensemble, but not a lot of substance.
By
Emily Yoshida
movie review
Aug. 9, 2018
The Meg
Is Neither Dumb Nor Smart Enough to Be Any Fun
They shoot giant sharks, don’t they?
By
Emily Yoshida
movie review
Aug. 8, 2018
Crazy Rich Asians
Is a Shiny, Affluence-Porn Rom-Com With a Big Immigrant Heart
The highly anticipated adaptation of Kevin Kwan’s book has got just enough on its mind to temper its parade of bling.
By
Emily Yoshida
movie review
Aug. 7, 2018
Madeline’s Madeline
Is a Confusing, Yet Thrilling, Coming-of-Age Story
Josephine Decker’s film about a young girl playing a cat in an improvisational theater piece functions as a metaphor.
By
David Edelstein
Aug. 6, 2018
The Darkest Minds
Is a Largely Incoherent Teen Dystopia
It’s hard to know what to care about in the adaptation of Alexandra Bracken’s mutants-on-the-run YA novel.
By
Emily Yoshida
movie review
Aug. 6, 2018
Spike Lee’s
BlacKkKlansman
Is an Entertaining and Effective Piece of Melodrama
The filmmaker doesn’t do subtlety.
By
David Edelstein
Aug. 3, 2018
Night Comes On
Is a Lovely, Inspiring Revenge Movie
Jordana Spiro is a real filmmaker.
By
David Edelstein
movie review
Aug. 2, 2018
Christopher Robin
Is a Heartwarming, Dystopian Winnie the Pooh Fever Dream
The “live-action” sequel is a lovingly rendered, deeply sadistic guilt trip for grown-ups.
By
Emily Yoshida
movie review
Aug. 2, 2018
The Spy Who Dumped Me
Is a Showcase for Kate McKinnon’s Peculiar Genius
She fires off one-liner after one-liner, apparently indifferent to whether it lands or flies into the ether — there will always be another.
By
David Edelstein
Aug. 1, 2018
The Miseducation of Cameron Post
Is Promising, But Undone By Its Protagonist
Desiree Akhavan’s Sundance-winning coming-of-age film is a look at the backward world of gay-conversion therapy.
By
Emily Yoshida
movie review
July 27, 2018
See
Scotty and the Secret History of Hollywood
for More Than Just the Dirt
The dirt is what you come for in Matt Tyrnauer’s documentary profile of the “pimp to the stars.” But what you get is deeper and more mysterious.
By
David Edelstein
movie review
July 26, 2018
Puzzle,
Like Its Repressed Housewife Heroine, Finds Itself As It Goes Along
Kelly Macdonald has a needle-sharp sensitivity, and Irrfan Khan exudes a kind of grown-up sexiness we rarely get to see onscreen.
By
Emily Yoshida
movie review
July 26, 2018
Hot Summer Nights
Is a Confused Attempt to Cash In on ’90s Nostalgia
Timothée Chalamet’s latest falls into the same trap as many nostalgia pieces before it.
By
Emily Yoshida
movie review
July 25, 2018
The Captain
Uses a Farcical Set-up to Tell a Brutal Story
With the structure of a classic mistaken-identity tale and the tone of a serial-killer film, it’s too bleak to laugh at and too absurd to cry over.
By
David Edelstein
July 23, 2018
Tom Cruise Suffers for You, Hard, in
Mission: Impossible — Fallout
He heaves himself up a cliff after a helicopter crash that would have killed a lesser-paid actor.
By
David Edelstein
July 20, 2018
Unfriended: Dark Web
Centers on the Pure Terror of Being Online
Despite a mostly far-fetched, hacky script, it’s equipped to explore a lot of very real digital horrors most contemporary film can’t.
By
Emily Yoshida
July 20, 2018
Far From the Tree
Is a Marvelous Doc About Kids Not Like Their Parents
Rachel Dretzin’s boundlessly empathetic film is based on Andrew Solomon’s stupendous 2012 book.
By
David Edelstein
movie review
July 19, 2018
Denzel Washington Is Hell-bent on Selling His Superhero Franchise in
Equalizer 2
The film starts to feel like it’s more invested in selling the
idea
of the series rather than a film in and of itself.
By
Emily Yoshida
movie review
July 19, 2018
Blindspotting
Is a Messy Debut From Three First-Time Feature Filmmakers
Daveed Diggs’s first foray into screenwriting has some powerful moments, but too often feels like required viewing.
By
Emily Yoshida
movie review
July 17, 2018
Mamma Mia! Here We Go Again
Is All Blue Skies
With a generous side of Cher and Andy García.
By
Emily Yoshida
July 13, 2018
The Kids Could Do a Lot Worse Than
Hotel Transylvania 3
A mostly benign piece of CGI silliness, mercifully free of knowing cultural references or parents-only jokes.
By
Emily Yoshida
movie review
July 12, 2018
Shock and Awe
Undercuts Its Own Great Story
In Rob Reiner’s latest, he can’t quite hold back the Hollywoodisms.
By
Emily Yoshida
movie review
July 12, 2018
Don’t Worry He Won’t Get Far on Foot
Is a Perfect Showcase for Joaquin Phoenix
Gus Van Sant’s latest, co-starring Jonah Hill and Jack Black, tells the story of John Callahan, a quadriplegic cartoonist recovering from alcoholism.
By
David Edelstein
July 11, 2018
The French Biopic
Gauguin
Is Surprisingly Dull, Considering Its Subject
The image of Gauguin the voluptuary might be a cliché, but Edouard Deluc has gone to the other extreme.
By
David Edelstein
movie review
July 11, 2018
Skyscraper
Is Stupid But Enjoyable
Dwayne Johnson and his trapezius muscles charm their way through his latest action movie.
By
David Edelstein
movie review
July 10, 2018
Bo Burnham’s
Eighth Grade
Is a Haunting Portrait of Adolescence
Watching Burnham’s debut feature
,
you might realize what all great teenage coming-of-age stories have in common: unbearable levels of anxiety.
By
David Edelstein
movie review
July 6, 2018
Ant-Man and the Wasp
Is Harmless, Gimmicky Fun
See
Ant Man and the Wasp
in 3-D for the full jack-in-the-box effect. Every gimmick helps.
By
David Edelstein
movie review
July 5, 2018
The Raucous
Sorry to Bother You
Is the Punk Film 2018 Deserves
Lakeith Stanfield, Tessa Thompson, and Armie Hammer make Boots Riley’s debut film about a young black telemarketer a bizarre house party of a movie.
By
Emily Yoshida
movie review
July 4, 2018
The First Purge
Is Predictable, But Shockingly Resonant
It’s pretty good if you’re not averse to caricatures, predictable twists, and lots of familiar B-movie tropes.
By
David Edelstein
movie review
July 4, 2018
The Latest Whitney Houston Documentary Fixates More on Her Death Than Her Life
Kevin Macdonald’s film attempts to deconstruct Whitney Houston without ever really painting a compelling portrait of her.
By
Emily Yoshida
movie review
June 29, 2018
Woman Walks Ahead
Is Blandly Tasteful
The film, starring Jessica Chastain, ratchets down the messiness of the true story that inspired it.
By
David Edelstein
movie review
June 27, 2018
Three Identical Strangers
Is a Stunning and Troubling Real-Life Mystery
This documentary begins as a goofy, believe-it-or-not tabloid story and slowly drifts into darker waters — the realm of horror, then of tragedy.
By
David Edelstein
movie review
June 26, 2018
Leave No Trace
, Debra Granik’s
Winter’s Bone
Follow-up, Is Grim and Captivating
Her first narrative feature since launching Jennifer Lawrence in
Winter’s Bone
tells the story of a father and daughter living in the wilderness.
By
David Edelstein
movie review
June 25, 2018
Sicario 2: Day of the Soldado
Is a Transgressively Bleak Franchise Attempt
Everything is pointless — occasionally thrillingly so — in Stefano Sollima’s continuation of Denis Villeneuve’s borderland thriller.
By
Emily Yoshida
June 22, 2018
Izzy Gets the F*ck Across Town
Has Its Moments, But Tries Way Too Hard
It deserves points for ambition, though.
By
David Edelstein
June 22, 2018
The Catcher Was a Spy
Is Too Discreet for Its Own Good
The movie is well-crafted, but it doesn’t have the fullness you’d expect in a movie with so much believe-it-or-not weirdness.
By
David Edelstein
movie review
June 22, 2018
Robert Pattinson and Mia Wasikowska’s
Damsel
Is a Delightful, Violent Clown Show
Pattinson gives himself a gray metal front tooth and pitches his voice into the high twerpy zone; Wasikowska can do no wrong.
By
David Edelstein
June 22, 2018
Boundaries
Is a Bit Stale, But Makes Up for It With a Great Cast
If the film smells more of mothballs than marijuana, it’s full of good actors: Vera Farmiga, Christopher Plummer, Peter Fonda.
By
David Edelstein
movie review
June 22, 2018
Jurassic World: Fallen Kingdom
Is Chasing Its Own Tail
The latest
Jurassic
movie plays like a strenuous imitation of Steven Spielberg instead of the real deal.
By
David Edelstein
June 14, 2018
Tag
Is an Amusing, Perhaps Unintentionally Depressing Midlife Crisis Comedy
It’s hard not to pity how much the titular game has sapped the meaning from these people’s lives.
By
Emily Yoshida
June 12, 2018
Hotel Artemis
Is an Inventive, If Meandering Genre Hangout
And it has a cast so good it feels like a fever dream.
By
Emily Yoshida
movie review
June 11, 2018
Incredibles 2
Flies High
Brad Bird’s
Incredibles
2
is, much like its predecessor, delightful as an animated feature but really, really delightful as a superhero picture.
By
David Edelstein
June 8, 2018
In
Nancy,
Andrea Riseborough Is Riveting
Riseborough is a true chameleon actress who seems to change color from the inside.
By
David Edelstein
movie review
June 8, 2018
Jim McKay’s
En el Séptimo Día
Is Quietly Thought-Provoking
The director does no editorializing in this gentle and graceful portrait of an undocumented Mexican immigrant.
By
David Edelstein
movie review
June 7, 2018
Won’t You Be My Neighbor?
Will Make You Miss Mister Rogers
Morgan Neville’s moving documentary is a wonderful breather from reality, from which you come back more conscious of the hate that runs the world.
By
David Edelstein
June 7, 2018
Alex Strangelove
Is an Admirably Honest Depiction of Coming Out in High School
Netflix’s latest feels personal, and less airbrushed than most in its recollection of the utter uncoolness of being a teenager.
By
Emily Yoshida
June 5, 2018
Ocean’s 8
Is, Unfortunately, Far Less Than the Sum of Its Glittery Parts
A great premise and killer cast can’t save the uninspired direction of this latest
Ocean’s
reimagining.
By
Emily Yoshida
movie review
June 5, 2018
Toni Collette Gets the Worst Inheritance Ever in
Hereditary
Writer-director Ari Aster’s debut film is
brilliantly
horrible — cruel to the point of invasiveness.
By
David Edelstein
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