Movie Review - Vulture
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Movie Review

  1. movie review
    Zack Snyder’s Rebel Moon Is a Visionary SlogThe first part of his Star Wars–ish Netflix saga looks amazing but has lifeless characters and little excitement.
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    All of Us Strangers Is Two Movies Trying to Be OneAnd, with all love for Paul Mescal, the romance with his character is the weaker of the two.
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    Saltburn Is All Vibes and Empty ProvocationsEmerald Fennell may be an exasperating filmmaker, but she’s incapable of being boring.
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    There’s No Heroism or Fantasy in John Woo’s Brutal Silent NightIn his latest action thriller, the director foregrounds grief and pain over the balletic mayhem of his previous work.
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    Maestro Is a Masterful Reconstruction That Remains Just ThatThe Leonard Bernstein biopic somehow proves that Bradley Cooper is a director of genuine vision, even though it’s not a particularly successful movie.
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    Alphaville ForeverJean-Luc Godard’s wildly influential 1965 film is restored and back in theaters. There’s still no other movie like it.
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    See Wim Wenders’s Anselm in 3-D So You Can Be Extra DisturbedThe director’s beautiful new film about Anselm Kiefer is more an experience than a documentary.
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    Chicken Run: Dawn of the Nugget Is No Chicken Run, But Really, What Is?Playing on Netflix, Aardman’s sequel to its 2000 animated hit might not fully capture the magic of the original, but it’s still fun.
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    We Shouldn’t Have to Grade Barbie on a CurveGreta Gerwig made a weird movie based on a famous toy line. Should that be enough?
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    In Priscilla, She’s the Girl Who Has Everything — Except Actual PowerSofia Coppola’s film, based on Priscilla Presley’s memoir, is a wish-fulfillment dream that loses momentum when its subject wakes up.
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    Days of Heaven and the Things That Don’t LastTerrence Malick’s 1978 wonder, maybe the most beautiful film of all time, is back in theaters.
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    The Seductive Eileen Flirts With DisasterAnne Hathaway goes Hitchcock blonde and Thomasin McKenzie is deceptively mousy, but the real MVP of this Ottessa Moshfegh is Marin Ireland.
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    Leave the World Behind Doesn’t Know What to Do With the ApocalypseSam Esmail’s thriller takes a lot of liberties with Rumaan Alam’s novel, but its changes are all for the worse.
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    The Silence Is the Loudest Part of Renaissance: A FilmNo star is better at positioning themselves as apolitical than Beyoncé.
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    Todd Haynes’s May December Is a Deeply Uncomfortable MovieWatching it with an audience, I found myself cackling with delight. Stepping out into the rainy night, however, I felt like I needed to take a shower.
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    Napoleon Charges in Without a PlanRidley Scott’s new historical epic isn’t good, but at least it gives us an unforgettably weird Joaquin Phoenix performance.
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    Hirokazu Kore-eda’s Heartbreaking Monster Hovers Between This World and the NextThere might be no better film about the indisputable fact that we never really know what someone else is going through.
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    Is Taika Waititi Even Trying Anymore?The New Zealand filmmaker’s new film, Next Goal Wins, is so sloppily made that it might make you wonder why he even bothered.
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    Disney’s Wish Fails on Every LevelThe songs stink, the animation is a mess, the characters are bland, and the story makes no sense. Happy 100th anniversary, Disney!
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    Rustin Is a Solid History Lesson But Not a Particularly Good MovieColman Domingo is fantastic, however.
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    The Hunger Games Forgets Its Own Nightmarish MessageThe Ballad of Songbirds and Snakes has star power and action, but the prequel film lacks its predecessor’s sense of moral lucidity.
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    Eli Roth’s Thanksgiving Isn’t Terrible, and for That We Can Be ThankfulWe don’t watch movies like this wondering what’s going to happen next. We watch because we know what’s going to happen next.
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    Let Fallen Leaves’ Finnish Gloom Give You LifeThe great Aki Kaurismäki delivers one of his most charming films with this tale of missed romantic connections.
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    Who Here Hasn’t Dreamed of Nicolas Cage?Dream Scenario starts off as a funny, thoughtful look at how we all live in public today.
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    When Did the MCU Start Feeling So Small?The Marvels brings together Brie Larson, Teyonah Parris, and Iman Vellani for far-flung galactic adventures that feel disappointingly dinky.
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    Sly Is a Messy, Sincere Portrait of a Messy, Sincere ManThis documentary about Sylvester Stallone leaves a lot unsaid. But it does get at the heart of his career.
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    Meg Ryan Isn’t Saving the Rom-Com — She’s Arguing With ItRyan directs and stars alongside David Duchovny in What Happens Later, a curiously sour romantic comedy.
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    To Its Credit, Nyad Makes Its Subject Look Like a Real AssholeNyad may be a frustrating biopic, but at least it doesn’t soften the self-mythologizing long-distance swimmer’s rougher edges.
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    Even Two Great Actors Can’t Make Fingernails’ Romance BelievableJessie Buckley and Riz Ahmed are hard to buy as thwarted lovers, though that’s mostly the fault of the film’s half-baked premise.
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    Paul Giamatti Is Never Better Than When He’s in an Alexander Payne MoviePrep school dramedy The Holdovers, the pair’s first collaboration since Sideways, showcases Giamatti’s capacity for the prickly and the heartbreaking.
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    Visions of the CollapseFive Nights at Freddy’s wants to be scary, but it’s mostly just sad.
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    The Killer Could Be a Great Comedy If David Fincher Let ItThere’s a thin line between self-reflection and self-parody, and The Killer comes dangerously close to crossing it a few too many times.
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    The Persian Version and the Art of Doing Too MuchMaryam Keshavarz’s musical romantic dramedy tells an affecting story about what womanhood demands — at least, it does whenever it settles down.
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    Errol Morris Duels the Greatest Spy Novelist in The Pigeon TunnelThe documentarian’s brisk, enjoyable new film contains the curiously contentious final interview with David Cornwell, a.k.a. John le Carré.
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    A Heist Movie Like No OtherIn The Delinquents, two men rob a bank not to get rich but to free themselves of the demands of modern life.
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    In Once Within a Time, Godfrey Reggio Presents a Startling Vision of the WorldThe legendary, enigmatic director returns with what might be his most unusual film to date.
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    Fair Play Never Gives Itself a Fair ShotThe film is so unwavering in its black-and-white approach to sex and sexism that it restrains itself from delivering anything incisive or new.
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    We Don’t Talk Enough About the Bizarre Exorcist FilmsThe franchise, including David Gordon Green’s Exorcist: Believer, is a case study in the perils of massive initial success.
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    Cat Person Is Cringe HorrorThe film adaptation of a famous New Yorker short story is appropriately grimace-inducing, but it can’t help overexplaining its terror.
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    The Royal Hotel Will Give You a Secondhand HangoverJulia Garner and Jessica Henwick are American backpackers working at a remote Australian bar in this thriller from Kitty Green.
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    Dicks: The Musical Is Never as Outrageous as It Wants to BeStill, the A24 musical comedy is determined to avoid self-importance or any greater meaning, which makes it admirable in its own right.
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    The Creator Is a Shockingly Good Sci-Fi Riff on Vietnam War MoviesThere’s a particularly American flavor to the violence done in the name of saving the world in Gareth Edwards’s tenderhearted The Creator.
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    There’s a Simple Enough Conceit in The Wonderful Story of Henry SugarA quaint, optimistically naive short kicks off Wes Anderson’s Roald Dahl film series.
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    A Luchador Sheds His Masks in the Triumphant CassandroGael García Bernal is exceptional as the exótico who became a wrestling star.
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    The Wry and Wistful Fremont Speaks Volumes With Just a StareFirst-time actor Anaita Wali Zada molds the film with her hushed agitation, breathing life and interiority into its visual extremes.
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    Kenneth Branagh Needs to Make 10 More of TheseThe creepy, moody Agatha Christie adaptation A Haunting in Venice is far from perfect, but it feels like the work of a man rejuvenated.
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    The GameStop Movie Is More Entertaining Than It Has Any Right to BeIs Dumb Money the first Pete Davidson role that works in its entirety?
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    My Big Fat Greek MessThe third time is … whatever is the opposite of a charm.
  49. venice 2023
    Sofia Coppola’s Elvis Movie Brings Priscilla Presley to TearsThe subject of the dark, complex biopic called Priscilla “amazing” and reaffirmed that the rock star was the love of her life.
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    Denzel Washington’s Weird-Uncle Energy Remains Unmatched in The Equalizer 3This last installment feels tired, but Washington still brings the goods, i.e., the air of a local oddball who happens to be incredible at murder.
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