Movie Review - Vulture
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Movie Review

  1. movie review
    The Son Is So Bad, You May Question Whether You Actually Liked The FatherThe new film from The Father director Florian Zeller, starring Hugh Jackman as a parent unsure of what to do about his child’s depression, is a mess.
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    Black Panther: Wakanda Forever Doesn’t Have the AnswersHow can any one film manage the expectations put on Ryan Coogler’s sequel and make space for grief? It can’t.
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    Weird: The Al Yankovic Story Should Have Been WeirderBut credit to Daniel Radcliffe for committing to the bit.
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    Something in the Dirt Gets Paranoid in Los AngelesDirectors Justin Benson and Aaron Moorhead’s latest feels more familiar than the duo’s other work, but its enthusiasm goes a long way.
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    Netflix’s Enola Holmes 2 Thrives on Millie Bobby Brown’s CharmThe young actress powers this whole franchise through the force of her charisma.
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    For a Movie About Patriarchal Violence, Holy Spider Sure Murders a Lot of WomenThe new film from Border director Ali Abbasi is a serial-killer story that tries, unsuccessfully, to be more.
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    In Armageddon Time, James Gray Looks at His Life and Doesn’t Like What He SeesJeremy Strong and Anne Hathaway play the director’s parents in this beautiful and damning coming-of-age tale.
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    In Decision to Leave, Park Chan-wook Pulls BackMaybe a little too much.
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    Black Adam Is Entertaining RubbishThe Rock plays the DC superhero with such a stony face that we forget how charming this actor can be otherwise.
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    The Gorgeous Melancholy of AftersunPaul Mescal plays a dad who takes his kid on a holiday he can’t afford in this moody drama about memory.
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    Till Is a Painstakingly Careful Drama About a Racist AtrocityChinonye Chukwu’s film about the murder of Emmett Till is both cautious about and hemmed in by the terrible event at its center.
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    Well, Halloween Ends Is a Pleasant SurpriseAt long last, this most recent run of Halloween movies has its Season of the Witch.
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    Are the Characters in Stars at Noon Unbearable or Just Unbearably Hot?Margaret Qualley and Joe Alwyn are expats unable to keep their hands off of each other in the unsettling Stars at Noon from Claire Denis.
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    Amsterdam Should Feel Intoxicating, But It’s ExhaustingWhenever David O. Russell’s film is operating on an edge of uncertainty, it works. But the freewheeling freewheeling-ness grates.
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    You Need This Pinhead Like You Need, Um, Pins in Your HeadHulu’s Hellraiser, the remake of Clive Barker’s 1987 horror classic, plays it way too safe.
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    Triangle of Sadness’s Class Satire Reaches Hazardous Levels of SmugThis year’s Palme d’Or winner is a total drag.
  17. movie review
    Tár Brilliantly Undoes an Ego Monster of an ArtistCate Blanchett is toweringly great as a famous conductor who meets a very public downfall.
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    Smile Should Smile MoreThe new horror film starts out in a wonderfully creepy and inventive fashion but eventually devolves into generic horror tedium.
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    The Greatest Beer Run Ever Wastes a Very Good Zac EfronPeter Farrelly’s film can’t seem to decide if it wants to be a comedy or a drama and somehow winds up being neither.
  20. movie review
    The Great Walter Hill Returns to the West, for Better and for WorseThe movie’s not perfect, but it’s well worth watching to see what a master filmmaker can do with limited resources.
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    Bros Is at Its Best When It Forgets About Making HistoryBilly Eichner’s romantic comedy is messy, funny, and ultimately charming — when it isn’t weighed down by all the firsts.
  22. movie review
    Blonde Wants to Hurt YouAt times, Andrew Dominik’s movie, starring Ana de Armas as Marilyn Monroe, feels like a slaughterhouse seen from the animal’s point of view.
  23. biennale cinema 2022
    Don’t Worry Darling Is Smooth, Competent, and TediousOlivia Wilde’s film is neither as good nor as bad as you were hoping.
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    Sorry, But Avatar Still RulesJames Cameron’s 2009 blockbuster is back in theaters to remind us how special and spectacular it is.
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    The Woman King Is a Brawny Historical Epic With a Conflicted View of the PastViola Davis presides over a rousing action movie with a touch of wistful alternative history.
  26. tiff 2022
    The Banshees of Inisherin’s Brilliantly Anti-Romantic Portrait of Rural IrelandIn Bruges stars Colin Farrell and Brendan Gleeson reunite with filmmaker Martin McDonagh for a wonderfully dark comedy about an ended friendship.
  27. tiff 2022
    Don’t Worry, The Fabelmans Doesn’t Overdo the ‘Magic of Movies’ ShtickSteven Spielberg’s self-portrait is as endearing as it is indulgent.
  28. tiff 2022
    Catherine Called Birdy Is DelightfulLena Dunham takes on a beloved children’s novel, and the results are unexpectedly endearing.
  29. movie review
    What Hides in the Heart of SaloumSaloum burrows its way into your raw nerve endings, your clenched teeth, your jostled bones.
  30. biennale cinema 2022
    The Whale Is a Perfect Comeback Role for Brendan FraserProsthetic or no, it’s hard to imagine anyone else in the part, frankly.
  31. biennale cinema 2022
    Ath-e-na, Ath-e-na, Ath-e-naRomain Gavras’s electrifying new film turns an uprising in a French housing project into a brutal, riveting Greek tragedy.
  32. movie review
    Honk for Jesus. Save Your Soul. Could Use Your PrayersThe best thing about this limp satire is Regina Hall’s performance.
  33. biennale cinema 2022
    Noah Baumbach Turned White Noise Into a 1980s Spielbergian Spectacle (Sort of)Yet this black comedy may be too bizarre to be appreciated by those waiting for a big, star-studded festival oomph.
  34. movie review
    … And a Bullet to Balance the ScalesIn The Good Boss, Javier Bardem plays an affable company owner whose desire for calm and control drags him toward corruption and cruelty.
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    Funny Pages Is a Wry Film About a Cartoonist’s Quest for AuthenticityThis dark teen comedy from writer-director Owen Kline and A24 is as filled with promise as it is with underdeveloped ideas.
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    One of Our Greatest Fabulists Is Back With Three Thousand Years of LongingGeorge Miller’s modern-day fable, starring Idris Elba and Tilda Swinton, is about the power of stories to seduce and entrap.
  37. movie review
    ‘Traveling Light’ Is a Dreamy, Harrowing Return to Our First COVID SummerBernard Rose and Danny Huston have spent the past two decades exploring the vapid desolation of Los Angeles. This might be their darkest work yet.
  38. movie review
    Beast Is the Very Model of a Tight, Tense ThrillerIdris Elba is quite compelling fighting both a lion and his own private demons.
  39. movie review
    A Movie So Ideal for the End of Summer That It’s Actually Called FallHead empty, just tower.
  40. movie review
    Emily the Criminal Isn’t Interested in EmpathyAubrey Plaza is great as a woman caught between crushing loans and a felony record who embarks on a surprisingly gritty criminal side hustle.
  41. movie review
    Bodies Bodies Bodies Could Stand to Be MeanerAmandla Stenberg, Pete Davidson, and the rest of the cool-kid cast star in a satirical slasher that’s never as sharp as it should be.
  42. movie review
    Run Me Over, Bullet TrainDavid Leitch’s film is all manipulation and extended cinematic sleight of hand. It begs you to surrender logic and simply enjoy it.
  43. movie review
    Vengeance Is a Clever But Hollow Satire of New York Podcast BrosThe Office star B.J. Novak’s directorial debut squirms away from any satirical or emotional territory that might genuinely hurt.
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    In A Love Song, Dale Dickey and Wes Studi Finally Take Center StageIt’s the simplest of tales, but there’s a complex universe of longing contained within it.
  45. movie review
    Good Luck Sleeping After Seeing ResurrectionRebecca Hall and Tim Roth are both perfect in Andrew Semans’s incredibly tense psychological thriller.
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    Nope Is Jordan Peele’s Darkest Horror Comedy to DateIn Jordan Peele’s thrilling new movie, Daniel Kaluuya and Keke Palmer are willing to risk death to get something on camera.
  47. movie review
    The (Literal) Stink of Corruption in Costa Brava, LebanonPart family drama, part political statement, Mounia Akl’s debut is wistful and uncompromising.
  48. movie review
    Where the Crawdads Sing Eats Itself into NothingnessThe movie is largely faithful to the novel’s story, but it’s lacking in atmosphere.
  49. movie review
    The Gray Man Is the Most Expensive Movie Netflix Has Ever Made, and It’s … FineRyan Gosling and Chris Evans star in an action extravaganza that feels made to be watched in the background while you’re on your phone.
  50. movie review
    The Sea Beast Plays Like an Old-fashioned Live-action AdventureNetflix’s latest animated film is so thoroughly immersive and tactile it might make you believe in sea monsters.
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