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Displaying all articles tagged:
Movie Review
movie review
Aug. 16, 2019
Where’d You Go, Bernadette
?
Nowhere, Damn It
Not even Cate Blanchett can save this out-of-focus adaptation.
By
David Edelstein
movie review
Aug. 16, 2019
Comedies End With Weddings, But
After the Wedding
Is No Comedy
Bart Freundlich’s family drama hasn’t been well-received, but tearjerkers rarely have this kind of stuffing.
By
David Edelstein
movie review
Aug. 16, 2019
Good Boys
Is Funny Because It’s Abominable
Some moviegoers might want to leave the theater and file a lawsuit. I stayed and laughed.
By
Bilge Ebiri
movie review
Aug. 14, 2019
The Kitchen
Is an Empty Paean to Girl Power
The late-‘70s crime flick doesn’t live up to the promise of its premise — or its cast.
By
Angelica Jade Bastién
movie review
Aug. 14, 2019
Cold Case Hammarskjöld
Presents a Conspiracy You’ll Want to Believe
This tricked-up documentary about a suspicious 1961 plane crash in Zambia reminds you that conspiracy theories make for great yarns.
By
David Edelstein
movie review
Aug. 12, 2019
Brace Yourself for the Devastating Documentary
One Child Nation
Nanfu Wang and Jialing Zhang’s first-person film chronicles China’s one-child policy in infuriating, tragic, grisly detail.
By
David Edelstein
movie review
Aug. 8, 2019
Scary Stories to Tell in the Dark
Serves Unnerving, Old-School Horror to Kids
It starts off as a quaint, small-town fright flick before plunging headlong into a full-on, grotesque shriek-fest.
By
Bilge Ebiri
movie review
Aug. 2, 2019
Luce
Review: Doubt Everything and Anything
J.C. Lee’s eerie story demands to be discussed, debated, embraced, or (perhaps) rejected.
By
David Edelstein
movie review
July 31, 2019
Hobbs & Shaw
Is a Refreshing Antidote to Franchise Bloat
Turns out whittling the bulging series down to two guys who hate each other can be strangely liberating.
By
Bilge Ebiri
movie review
July 30, 2019
In
The Nightingale
, There’s No Escaping the Rankness of Male Depravity
The Babadook
director returns with a graphically violent, Australian-frontier revenge thriller.
By
David Edelstein
movie review
July 26, 2019
What Are We to Make of
Skin
, Another Redemption Tale About Neo-Nazis?
Jamie Bell’s performance is downright volcanic in this imperfect story of learned hatred.
By
Angelica Jade Bastién
movie review
July 26, 2019
The Horror Is Real in the Syrian Doc
For Sama
The film doesn’t feel like raw footage — it has been carefully shaped, with a bit of movie-ish suspense during the final hours.
By
David Edelstein
movie review
July 26, 2019
Quentin Tarantino’s
Once Upon a Time in Hollywood
Is a Seductive Pipe Dream
The director’s dream world is a sadistic place, but in a way it’s sublime, like heaven nestled inside hell.
By
David Edelstein
review
July 19, 2019
In the Surreal Horror Movie
Luz,
the Devil Is in the 16mm
If Tilman Singer’s low-budget haunt had been a play, I’d probably have walked out, but as a film I found it eerie enough to stay rooted.
By
David Edelstein
movie review
July 19, 2019
Practice
The Art of Self-Defense
Against This Movie
Riley Stearns’s anti-macho black comedy is cringeworthy in a good way, and hilarious in a
not-good
way.
By
David Edelstein
movie review
July 19, 2019
The Lion King
Is an Unusually Good Nature Documentary. Is That What We Wanted?
Technically speaking, it’s a marvel. But having entered the photorealistic realm, the mood of the movie has changed.
By
Bilge Ebiri
movie review
July 15, 2019
Jasmin Mozaffari’s
Firecrackers
Is a Debut Film to Watch
What the director does better than almost anyone I can think of is dramatize the illusory nature of control.
By
David Edelstein
movie review
July 12, 2019
Stuber
Is Not the Odd-Couple Cop Comedy You Were Looking For
Still, Dave Bautista’s got real star power, and he keeps you watching.
By
Bilge Ebiri
movie review
July 12, 2019
The Summer’s Best Thriller Is a Movie About Home-Invading Alligators
A film about murderous, hurricane-rattled reptiles grants us one of the season’s most memorable horror heroines.
By
Angelica Jade Bastién
movie review
July 11, 2019
Sword of Trust
Is an Ambling Comedy of Manners and Conspiracy Theories
Marc Maron is excellent as he navigates the disorienting effects of a post-truth world.
By
Emily Yoshida
movie review
July 11, 2019
The Farewell
Is a Big Arrival for Director Lulu Wang
Awkwafina turns in her best acting performance yet in a stranger-than-fiction true family story.
By
Emily Yoshida
movie review
July 8, 2019
Marianne & Leonard
Tells the Story of the Greatest Breakup Song Ever Written
Leonard Cohen’s “So Long, Marianne” is the tender heart of Nick Broomfield’s latest documentary.
By
David Edelstein
movie review
July 3, 2019
Spider-Man: Far From Home
Delivers a Single, Scary, Brilliant Answer to
Endgame
Say what you will about Marvel, but the people at the top are frighteningly in tune with what its audience wants.
By
David Edelstein
movie review
July 3, 2019
Ari Aster’s
Midsommar
Is an Ambitious, Blurry Horror Trip
The
Hereditary
director seems sure of only one thing: that he wants to make you feel as if your head is being sawed off.
By
David Edelstein
movie review
June 28, 2019
Ophelia
: The Female Gaze Is Strong in This One
Daisy Ridley makes a fine, modern heroine, but it’s Naomi Watts who goes big and waltzes away with the movie.
By
David Edelstein
movie review
June 25, 2019
Yesterday
Has a Fun Premise, But Doesn’t Know What to Do With It
Only the first half of Danny Boyle’s Beatles fantasy-comedy works.
By
David Edelstein
movie review
June 21, 2019
Wild Rose
Rests on the Extraordinary Performance of Its Country Girl
Directed by Tom Harper from a script by Nicole Taylor,
Wild Rose
has more than three chords, but the impulse is to keep it plain.
By
David Edelstein
movie review
June 21, 2019
Child’s Play
Has Lost Its Impish Spark and Gained Artificial Intelligence
The new slasher reboot of the
Chucky
franchise, directed by Lars Klevberg, only
half
works.
By
Angelica Jade Bastién
movie review
June 21, 2019
This
Toy Story
Is Not Like the Other Toy Stories
Seriously, did David Lynch write this thing?
By
Bilge Ebiri
movie review
June 14, 2019
Shaft
Review: Another Lame, Mismatched Buddy Action Comedy
It’s so aggressively puerile and phallocentric (big swinging dicks, big guns) it could be taken as a parody.
By
David Edelstein
movie review
June 14, 2019
The Last Black Man in San Francisco
Explores Friendship in a Gentrified City
Joe Talbot’s striking, occasionally contradictory feature debut exhibits both lived-in authenticity and fairy-tale hermeticism.
By
Bilge Ebiri
movie review
June 12, 2019
Men in Black: International
: Where Did the Charm of This Franchise Go?
You don’t really laugh at the Chris Hemsworth-Tessa Thompson sci-fi comedy so much as feel guilty for not laughing at it.
By
Bilge Ebiri
movie review
June 12, 2019
Jim Jarmusch’s
The Dead Don’t Die
Is a Heavy-Footed Zombie Comedy
It’s not unenjoyable but not quite enjoyable, either.
By
David Edelstein
movie review
June 12, 2019
Martin Scorsese’s
Rolling Thunder Revue
Brilliantly Spins a Bob Dylan Tall Tale
Bob Dylan is clearly here to mess with us, as is our director.
By
Craig Jenkins
movies
June 7, 2019
Late Night
Isn’t the Sharp Workplace Comedy We Hoped For
Mindy Kaling’s first starring role in film only half works.
By
Angelica Jade Bastién
movie review
June 7, 2019
Brian De Palma’s
Domino
Is a Better Thriller Than Most
Underfunded, sketchily written, and heavily cut, the film still puts its contemporaries to shame.
By
David Edelstein
movie review
June 6, 2019
Dark Phoenix
Takes the X-Men to Space, With Middling Results
Sophie Turner floats above an uninspired Jean Grey saga.
By
David Edelstein
movie review
May 31, 2019
Rocketman
Tries to Levitate Its Audience, But It Falls Flat Instead
The Elton John biopic has unusual dramatic heft for a jukebox musical, but that’s a big curve on which to grade.
By
David Edelstein
movie review
May 31, 2019
Godzilla Is Back. What an Unholy Mess.
Godzilla: King of the Monsters
is visual noise. It makes “The Battle of Winterfell” look like a model of clarity.
By
David Edelstein
movie review
May 30, 2019
Ma
Is Too Muddled a Slasher Flick to Work
The Octavia Spencer–led slasher flick places the mammy archetype in a horror context, to mixed results.
By
Angelica Jade Bastién
movie review
May 24, 2019
Booksmart
Is a Goddamn Delight, and a Major Moment in the Teen Movie Canon
In the Olivia Wilde–directed comedy, a new archetype of late-2010s teendom takes shape.
By
Emily Yoshida
movie review
May 23, 2019
Brightburn
Is Gory, Creepy, and Obvious
But Elizabeth Banks is, as usual, very good and un-gimmicky.
By
David Edelstein
movie review
May 22, 2019
A Movie like Guy Ritchie’s
Aladdin
Isn’t Shot — It’s Generated
It’s set inside a matrix where the real and digital worlds are indistinguishable.
By
David Edelstein
movie review
May 20, 2019
Trial by Fire
Is Painstakingly Well Made and Murderously Hard to Sit Through
Laura Dern stars as Elizabeth Gilbert, one of the few people who questioned Cameron Todd Willingham’s death sentence in Texas.
By
David Edelstein
movie review
May 14, 2019
John Wick 3
Is Bloated, Pretentious, and Too Stylish for Its Own Good
The movie should by rights be a “Wow!” But it feels self-conscious, with long waits between its few dazzling fights.
By
David Edelstein
movie review
May 14, 2019
The Souvenir
Is Sometimes Formless, But Always Fascinating
At her best, writer-director Joanna Hogg convinces you that incoherence is the only honest way to tell a story with any emotional complexity.
By
David Edelstein
an actor’s journey
May 13, 2019
It’s High Time Dennis Quaid Played a Horror-Movie Psycho
Skip
A Dog’s Journey
and see
The Intruder
instead.
By
Bilge Ebiri
movie review
May 10, 2019
Charlie Says
Is a Wobbly Look at the Manson Family
You want to see how a person could surrender herself to something so diabolical, which demands a higher level of insanity than the filmmakers muster.
By
David Edelstein
movie review
May 8, 2019
Pokémon Detective Pikachu Is Fun, But It Should Have Been More Disturbing
The Pokémon are fun to watch, but the movie is no
Who Framed Roger Rabbit
.
By
Bilge Ebiri
movie review
May 5, 2019
El Chicano
is Nasty, Brutish, and Occasionally Riveting
El Chicano
is being billed as the first Latinx superhero film.
By
Bilge Ebiri
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