Thereâs exactly one criterion for a great performance of âSanta Claus is Coming to Townâ: Is it joyful? The tune is peak Christmas cheer, a song about the childlike glee the season can bring. It came at a time when the world could use it, composed during the Great Depression by J. Fred Coots and Haven Gillespie as a song to keep up spirits. Yet it took decades to become the Christmas classic it is today, with Bing Crosby and Frank Sinatra both covering it in the late 1940s, Phil Spector arranging a classic take for the Crystals in 1963, and Rankin/Bass making a Claymation special around the song in 1970. Now, by some estimates, there are over a thousand versions of the track â and while listeners have coalesced around a few favorites, thereâs no one definitive performance.
Itâs easier to pinpoint bad takes of âSanta Claus,â which tend to feel perfunctory or one-note â in other words, lacking joy. The great ones, though, are a varied bunch. Some follow a format while others color outside the lines; some are live takes while others come from the studio; some sound like products of their eras while others go for something timeless. But when a cover truly excels, like the ten below, itâs a conduit for Christmas spirit.
10.
Joseph Spence
Everyone knows the words to Christmas standards â thatâs kind of the point. Thatâs also what makes this impromptu 1972 performance by Bahamian guitarist Joseph Spence so fun. His take on âSanta Clausâ could best be described as post-lyrical with a loose, unfussy Spence mumbling through the song over some guitar picking. (Like much of the best holiday singing, the performance allegedly came after a few drinks.) Yet itâs just as entertaining as a faithful rendition, in part because itâs a rare one where you donât know what happens next. By the time Spence gets to the title line, perhaps the only one he actually knows, youâll be grinning.
9.
Justin Bieber
Three words that change everything: âSantaâs cominâ, girl!â In his prime heartthrob days, Justin Bieber turned a song full of childhood wonder into one of teenage excitement. Bieber had some help from some other child stars for his âSanta Clausâ cover â itâs actually more of a mash-up with the Jackson 5âs âABC.â (Smartly, he stayed one degree removed from their performance of âSanta Claus.â) It works splendidly, dialing into Bieberâs early R&B influences and youthful energy, especially in the âShake it, shake it, babyâ breakdown. That spirit makes it the best 21st-century performance of âSanta Claus,â which Bieber sells as well as any of his other pop hits.
8.
Burl Ives
If you want a classic take on âSanta Claus,â skip Bing Crosby and Frank Sinatra, whose suave, steady deliveries donât add much to a song that should be overflowing with enthusiasm. Leave it to Burl Ives instead. The singer best known for âA Holly Jolly Christmasâ puts an equally jolly spin on âSanta Claus,â even using his voice-acting skills from Rudolph the Red-Nosed Reindeer to embody the big man himself in his spoken intro. And thereâs a bit of a swing in Ivesâs performance, too, thanks to his non-holiday background in folk music. It all sounds instantly familiar â the definition of a timeless take.
7.
The Pointer Sisters
As weâve already established, getting messy can be part of the fun when singing Christmas songs. The Pointer Sisters understood this with a performance of âSanta Clausâ that has the energy of a last-call drunken sing-along at the office party â in the absolute best way. Their rendition, for Jimmy Iovineâs 1987 Very Special Christmas compilation, doesnât stray far from the Crystals, but it doesnât need to. Anita, June, and Ruth make it shine with the sort of playful bond only family can bring, belting and whooping with equal power. It sounds like theyâve never had more fun singing together.
6.
Beach Boys
As the story goes, Brian Wilsonâs piano playing wasnât up to snuff for notorious perfectionist Phil Spector when he was producing the Crystalsâ cover of the song. No matter, because the following year, Wilson and the Beach Boys went on to make a version of the song only they could. Itâs overstuffed with ideas: signature barbershop-esque harmonies, big-band-style orchestrations, cartoonish whistles, and xylophone in between. As a result, it lands somewhere between nostalgic and silly; thereâs something in the song to please almost every sort of Christmas-music listener.
5.
Dolly Parton
When it comes to Christmas music, Dolly Parton is known for one of the best melancholy holiday songs around, âHard Candy Christmas.â But as in her regular catalogue, she can do Christmas joy just as well. Partonâs warmth and audible smile alone wouldâve been enough to make this a standout rendition of the song, but that wouldnât be the over-the-top Parton we know. So, her âSanta Clausâ also has a supremely fun fiddle solo from Jimmy Mattingly â the true musical encapsulation of cheer.
4.
The Crystals
By the time the Crystals performed âSanta Claus,â the song had been around for nearly three decades. Yet the girl group was the first to transform the song into pop music. Some of that can be credited to now-disgraced producer Phil Spector, who gave the song his signature âwall of soundâ production, full of blustery brass and clanging piano (which is now nearly synonymous with Christmas music). But that wouldâve meant nothing without the gleeful vocal power of the Crystals, who gifted major-key energy to a previously sleepy track. By doing so, their performance became the blueprint for âSanta Clausâ covers.
3.
Mariah Carey
Itâs a question of the chicken or the egg: Is Mariah Carey so good at singing âSanta Clausâ because itâs one of the main inspirations for âAll I Want for Christmas Is Youâ (specifically, once again, the Crystals version), or is âAll I Want for Christmasâ so good because Carey conquered âSanta Clausâ? Regardless, the central truth is that Carey is damn good at singing âSanta Claus.â Her performance is even more bursting at the seams with spirit than âAll I Want for Christmasâ â it sounds like everyone else on the song, from the backup singers to the piano player, has to give 150 percent just to match Careyâs 100.
2.
Jackson 5
Anyone can sing âSanta Claus,â but it takes a kid to truly sell the excitement. Thatâs how the Jackson 5 made one of the songâs definitive performances. (Their age was also an advantage for their other popular Christmas song, âI Saw Mommy Kissing Santa Claus.â) Michael musters all the oomph he can for the chorus, somehow making each one sound bigger than the last. Over a signature Motown groove, these kids could not sound more enthused about all the toys Santa would bring. They sounded like they believed, and for a few minutes, they could make you believe too.
1.
Bruce Springsteen and the E Street Band
Bruce Springsteen and the E Street Bandâs invigorated 1972 live rendition of âSanta Clausâ isnât just the best version of the song â itâs one of the best examples of why Springsteen and his band are such stellar performers. The camaraderie in the band, and between them and the audience, is apparent even before the song starts from Springsteenâs now-canon joking stage banter. But then thereâs the performance itself: boisterous, jubilant, and just full of life. They take a minute to ease into things before absolutely flooring it after the first verse. Thatâs when the tightness of the band is really apparent, from Springsteenâs singing to Clarence Clemonsâs all-time sax solo to Roy Battan and Max Weinbergâs integral piano and drum pounding. Thatâd be an alchemical combination for a live take, but what pushes this over the top is how much fun the band is having. Clemonsâs Santa Claus laughter is infectious, so much so that, by the end, Springsteen can barely get the words out himself. Nearly 50 years later, itâs still a heartwarming shot of Christmas spirit like no other.