Alison Willmore is a film critic for New York magazine and Vulture. Formerly, she was the only critic at BuzzFeed News, the first TV editor at IndieWire, and the host of Filmspotting: SVU.
The 102 Best Movie Sequels of All TimeWho in the world wanted a Top Gun sequel? Not even Tom Cruise, but that didn’t stop Maverick from getting made and soaring in our ranks.
action!
Watch Out for Scott AdkinsWhen the stuntman shows up in Jamie Foxx’s Netflix vampire movie, it’s a nod to the action geeks and proof of Day Shift’s bona fides.
Emily the Criminal Isn’t Interested in EmpathyAubrey Plaza is great as a woman caught between crushing loans and a felony record who embarks on a surprisingly gritty criminal side hustle.
The Best Part of Prey Is What It Doesn’t DoIn jumping backward in time, Prey frees itself from having to build out more of the mythology of its mandibled alien antagonists.
Is Jane Austen Just a Vibe Now?The new Persuasion throws out almost everything essential about its source material but keeps the country walks and the costuming.
Where Does the Abortion Thriller Go From Here?Movies like Happening turn the terrible consequences of restricted access into the stuff of dramatic tension. Are they trying to do the impossible?
Pleasure Can’t Get Out of Its Own HeadNinja Thyberg’s feature debut offers a judgment-free journey through the adult-film industry but never really gets going as a character study.
let’s do it again
Hollywood Can’t Leave Romancing the Stone AloneThe deceptively effortless-seeming Kathleen Turner–Michael Douglas romantic adventure never spawned a franchise, but not for any lack of trying.
Erotic Thrillers Owe Everything to Home ViewersThey famously brought sex and death to the multiplex, but their survival depended on late-night cable, down-market sequels, and direct-to-video films.
movie review
The Kamikaze Wish Fulfillment of AlineIn playing a fictionalized version of the Quebecois singer, writer-director-actor Valérie Lemercier gets at the absurd heart of the biopic genre.