Bilge Ebiri is a film critic for New York and Vulture. His work has appeared in The Village Voice, the New York Times, Rolling Stone, and the Criterion Collection.
movie review
Sorry, But Avatar Still RulesJames Cameron’s 2009 blockbuster is back in theaters to remind us how special and spectacular it is.
remembrance
Everyone Has Their Own GodardFor all his godlike splendor, there is no other filmmaker over whom so many people can claim ownership, each in their own distinct manner.
biennale cinema 2022
About That Blowjob Scene in BlondeThe Blonde cast and crew seem surprised at the film’s NC-17 rating. It’s pretty clear to anyone who has seen it that this scene is the reason why.
biennale cinema 2022
Lars von Trier Has No Final ReassurancesThe final season of The Kingdom is twisted and distressing, yet returning to the series’ confines is like slipping into a warm embrace.
The Iñárritu Wars Begin AgainAlejandro Gonzalez Iñárritu’s much-hyped and achingly sincere Netflix movie Bardo arrived at Venice, only to be swiftly panned.
… And a Bullet to Balance the ScalesIn The Good Boss, Javier Bardem plays an affable company owner whose desire for calm and control drags him toward corruption and cruelty.
The 102 Best Movie Sequels of All TimeWho in the world wanted a Top Gun sequel? Not even Tom Cruise, but that didn’t stop Maverick from getting made and soaring in our ranks.
Event Horizon Gets Better With AgePaul W.S. Anderson made a gruesome sci-fi film with mostly practical effects. 25 years later, he knows it looks terrific.
the dumping ground
Hollywood Forgot About the August MovieStudios have been understandably cautious in 2022, but the decision to not extend their great comeback summer is a strategic miscalculation.
a long talk
Wes Studi Traveled His Own Road HereOn his time in Vietnam, his activism in the American Indian Movement, and his first romantic lead role in A Love Song.
movie review
Run Me Over, Bullet TrainDavid Leitch’s film is all manipulation and extended cinematic sleight of hand. It begs you to surrender logic and simply enjoy it.
Cha Cha Real Smooth Grins and Goes NowhereYour tolerance for this movie will likely hinge on your tolerance for writer-director-producer-star Cooper Raiff as a cinematic presence.
Hustle Is Pure Adam Sandler Wish FulfillmentSandler’s sincere performance helps sell this Netflix sports drama, which sometimes feels like a party the actor gave so he could meet his heroes.
Joseph Kosinski’s Vast, Lonely WorldsThe Oblivion and Tron: Legacy director knew just how to pitch a Top Gun sequel to Tom Cruise: “Maverick is still Maverick,” he said. “But he’s alone.”
Gaspar Noé Is Not in ControlNoé’s films have always been about the chaos of losing control. His latest, Vortex and Lux Aeterna, seem to get bracingly personal, too.
close read
Tom Cruise’s Last StandThirty-six years after the original, Top Gun: Maverick eulogizes the actor’s entire career, and an America that may not exist anymore.
What Was It About Michael Douglas?As the go-to fall guy in erotic thrillers, the actor represented the ultimate boomer avatar: the male ego under siege.