Summer TV Used to Mean Something, Damn ItOnce upon a time, television programming mirrored the rhythms of life. Now it’s become the calendar version of the endless scroll.
We Own This City Asks Us to Look BackwardWhile David Simon and George Pelecanos’s new series has plenty to say on its own, considering it as a sequel to The Wire enriches the experience.
Why Are We Still Watching Law & Order?Halfway through its 21st season, the revived crime procedural is missing something. Could it be a genuine reason to come back in the first place?
Cozy Up With Julia, a Warm and Welcoming TreatThe new HBO Max series is much like the version of Julia Child it wants to portray: imperfect yet charming — and in love with feeling good.
Let’s Make Is It Cake More ChaoticNetflix’s new meme-based competition series could really benefit from having more people run around blindfolded with knives.
Minx Is Almost a Good TimeA great setup, vivid porn-world building, Jake Johnson’s leather pants: This show has everything it needs, if only its protagonist would get onboard.
comedy review
Catherine Cohen’s Destabilizing TwistThe ground is always slipping around underneath Cohen’s Netflix special, playing with which emotions are real and which aren’t.
The Dropout Hits the Scammer Sweet SpotAmanda Seyfried’s take on Elizabeth Holmes taps into the compelling mess that many scam shows promise but few manage to deliver.
Aziz Ansari’s Empty AuthenticityIf at any point his material reached for the same goals as the look of the special, Nightclub Comedian might be a different experience.
tv review
The Gilded Age Rings HollowJulian Fellowes’s newest historical confection has ample surface appeal, but when it comes to reasons to care, it comes up short.