Roxana Hadadi is a TV critic who also writes about film and pop culture, with the closed captions on and motion smoothing off.
fire and blood
Is Queen Alicent Acting in Bad Faith?The presence of a certain seven-pointed star adds an intriguing new wrinkle to House of the Dragon’s Targaryen-Hightower power struggle.
The 102 Best Movie Sequels of All TimeWho in the world wanted a Top Gun sequel? Not even Tom Cruise, but that didn’t stop Maverick from getting made and soaring in our ranks.
The Sandman’s Lost DreamNetflix’s adaptation of Neil Gaiman’s legendary comic works well when it has a strong sense of its titular character. If only it stayed that way.
What You Can and Can’t See in Nope“A true point of view is where you just see enough but are yearning to see more,” says the film’s cinematographer on three key visual choices.
Resident Evil Is Plagued by PredictabilityBrief, welcome glimpses of silliness hint at what could have been if this Netflix series were more willing to deviate from the franchise’s mythology.
Some Pointed Questions for The BoysAn attempt to untangle what season three was trying to say about our political system and what it could mean for future seasons.
Atlanta Season Three Was a Bad TripAfter a four-year break, Donald Glover’s FX series returned unsure of what it wanted to say. Four Vulture writers and critics try to make sense of it.
tv review
Loot Is At Odds With ItselfA perfectly pleasant but ideologically hollow comedy about an ultrarich girlboss? In this economy?