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MOST RECENT ARTICLES BY:
Sara Holdren
Theater Critic
See all their articles from across New York Magazine
Follow
@swholdren
on Twitter
Email
[email protected]
Sara Holdren is a theater director and a critic at New York magazine and Vulture.
Read More
Nov. 30, 2017
Theater Review:
The Parisian Woman
Is Barely Woke and Barely Awake
Smart actors, decent performances, and a slack script.
theater review
Nov. 29, 2017
Theater Review: Amy Schumer Shines in Steve Martin’s
Meteor Shower
Steve Martin’s play is full of absurd, funny fizz.
Nov. 20, 2017
Theater Review: On Wolves Who Kick
In Sarah DeLappe’s play, soccer is everything for a team of nameless young female players.
theater reviews
Nov. 20, 2017
Theater Reviews:
Pride and Prejudice
and
Peter Pan,
Reimagined
A Wendy with a hint of her emerging womanhood; a Lizzy who stays girlish and a little silly.
Nov. 16, 2017
Theater Review: The Funny, Fierce, Fearsome Competition of
School Girls
The African Mean Girls Play
is a binge-watchable cable series packed into two hours onstage.
Nov. 15, 2017
Theater Review: Smallpox Stories That Slay, in
Latin History for Morons
John Leguizamo reimagines history class, with jokes that bite.
Nov. 15, 2017
Theater Review:
Actually
Is a Play for This C.K. Moment
A campus encounter that’s problematic in multiple ways.
theater review
Nov. 9, 2017
Theater Review:
The Band’s Visit
Finds Strength in Smallness
A musical that forgoes the razzle-dazzle and instead finds power in quietude.
Nov. 8, 2017
Theater Review:
Office Hour
Is a Well-Intentioned Mistake
Is this theatrical approach to mass shootings irresponsible?
theater review
Nov. 2, 2017
Theater Review: High Finance and Low Crimes, in Ayad Akhtar’s
Junk
The bonds aren’t the only junk here.
theater review
Oct. 30, 2017
Theater Review: The Public Theater Stages Its Own Origin Story
I hope they get it.
theater review
Oct. 26, 2017
Theater Review:
M. Butterfly,
Chasing Its Own Reality
“Islands of incisive commentary in a stream that hasn’t entirely found its flow.”
theater review
Oct. 25, 2017
Theater Review:
People, Places & Things
Shatters and Soars
Denise Gough is as great as people are saying she is.
theater review
Oct. 25, 2017
Theater Review: In
Oedipus El Rey,
Fate Falls a Little Flat
An uneven attempt to build on Sophocles.
theater review
Oct. 24, 2017
Theater Review: John Patrick Shanley’s Misbegotten
The Portuguese Kid
The
Doubt
playwright delivers a pile of self-congratulation.
theater review
Oct. 23, 2017
Theater Review: In ‘Strange Interlude,’ One Man, 6 Hours, Many Ghosts
O’Neill’s immense earthwork of a play, performed solo.
theater review
Oct. 23, 2017
Theater Review: In
After the Blast,
the Apocalypse Is Now
Love and robots, post-catastrophe, in Zoe Kazan’s play.
encounter
Oct. 20, 2017
Diana Oh Is a Fierce Feminist Who Sings in Her Underwear
The author-star of
{my lingerie play}
is onstage and on fire.
Oct. 19, 2017
Theater Review: Does Harvey Fierstein’s
Torch Song
Still Give Off Heat?
Theater Review: Does Harvey Fierstein’s
Torch Song
Still Give Off Heat?
theater review
Oct. 16, 2017
Theater Review:
Burning Doors
Is a Fiery Anti-Torture, Anti-Putin Scream
At La MaMa, Russian dissidents show us torture in all its banal brutality.
theater review
Oct. 10, 2017
Theater Review: ERS’s
Measure for Measure
Plays a Losing Game
A technical gimmick that undermines the material instead of enhancing it.
theater review
Oct. 10, 2017
Theater Review: Eternal Return Feels Old in
Time and the Conways
A play about time, a play of its time.
theater review
Oct. 5, 2017
Theater Review:
Too Heavy for Your Pocket,
Carried Off With Grace
A civil-rights-era play that does not feel like a period piece.
theater review
Oct. 2, 2017
Theater Review:
Tiny Beautiful Things
Won Me Over Against My Will
Discord,
not so much.
theater review
Sept. 26, 2017
Theater Review: The Special Value of
The Treasurer
With a delicate, shattering performance at its center.
theater reviews
Sept. 25, 2017
Theater Review: An Ultra-Male, Female-Directed
Clockwork Orange
Plus two more productions that look at “otherness.”
Sept. 22, 2017
Theater Review:
KPOP
Is Gangnam Style With Substance
Under the glam, it’s a discomfiting looks at the struggles faced by Asian artists.
theater review
Sept. 18, 2017
Theater Review:
Charm
Is an Uplifting LGTBQ Fairy Tale
It’s the theatrical equivalent of those pictures from the ’60s where a demonstrator meets the barrel of a rifle with a flower.
theater review
Sept. 17, 2017
Theater Review:
In the Blood
Has Never Felt More About the Present
A two-decade-old play leaps right out at you.
theater review
Sept. 14, 2017
Theater Review: A Grown-up Peter Pan
From Sarah Ruhl
Struggling to take flight.
theater reviews
Sept. 12, 2017
Theater Reviews:
On the Shore of the Wide World
and
Fucking A
New work from Simon Stephens and Suzan-Lori Parks.
theater review
Aug. 24, 2017
Theater Review:
Prince of Broadway
’s Music Soars Where Its Narrative Falters
The story of Hal Prince in 35 songs.
theater review
Aug. 10, 2017
Theater Review: Blocks From Trump Tower, Michael Moore Stands Up and Barks
A monologue, mostly to the believers.
Aug. 9, 2017
Theater:
The Workshop,
Where the White Male Ego Is on the Dissection Table
Old teacher, young diverse students square off.
Aug. 2, 2017
Theater Review:
A Parallelogram
Is a Theatrical
Black Mirror
A sci-fi framework for a realist story.
Aug. 1, 2017
Director Robert Woodruff Remembers Sam Shepard
“Those gifts don’t arrive that often.”
July 31, 2017
Theater Review:
A Midsummer Night’s Dream
That Never Touches Earth
All the froth, none of the underlying dread.
theater review
July 17, 2017
A
Hamlet
Where Everyone’s Onstage, and Oscar Isaac Is Among Us
And Oscar Isaac is among us all.