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Displaying all articles tagged:
Movie Review
Oct. 24, 2017
Only the Brave
Is Proof We Need More Firefighter Movies
The stirring ensemble drama is everything that’s great about war movies, without the war.
By
Emily Yoshida
Oct. 23, 2017
All I See Is You
Is One of the Strangest, Most Satisfying Surprises of the Fall
Blake Lively’s latest is what a Lifetime Movie directed by Gaspar Noé would look like, and it’s kind of great.
By
Emily Yoshida
Oct. 20, 2017
Jane
Is a Captivating Look at Jane Goodall’s Exploration of ‘the Great Mystery’
We disagree on many things, but we can all agree on Jane Goodall.
By
David Edelstein
Oct. 20, 2017
The Snowman
Is a Stiff
Tomas Alfredson’s adaptation of Jo Nesbo’s serial-killer story is a bad match of director and material.
By
David Edelstein
Oct. 20, 2017
Joan Didion: The Center Will Not Hold
Is a Chronicle of an Era-Defining Voice
The emotional late-career tribute arrives on Netflix October 27.
By
Emily Yoshida
Oct. 20, 2017
Todd Haynes’s New Film Is Beautiful. Maybe Too Beautiful.
For the first time, Haynes is working with a story whose plot outweighs its concept, as lovely as that concept often is.
By
Emily Yoshida
movies
Oct. 20, 2017
BPM
Is a Vital Testament to Public Action
We should watch
BPM
and ask, “How disruptive are we willing to be?”
By
David Edelstein
movie review
Oct. 19, 2017
Colin Farrell Reunites With His
Lobster
Director for This Chilling Horror Film
The Lobster
’s Yorgos Lanthimos latest is a bloodcurdling genre treat.
By
Emily Yoshida
Oct. 18, 2017
Leatherface
Is a Thoroughly Unnecessary Horror Origin Story
Who
hasn’t
wondered what the guy from
Texas Chainsaw Massacre
was like as a kid?
By
Emily Yoshida
Oct. 17, 2017
Goodbye Christopher Robin
Is Overfermented Honey
The tale of Christopher Robin Milne’s childhood lost is decent but overripe.
By
David Edelstein
Oct. 13, 2017
Woody Allen’s
Wonder Wheel
Is Obvious and Old-Hat
Perhaps Allen doesn’t think people can really transcend anything ever.
By
David Edelstein
Oct. 13, 2017
Breathe
Is a By-the-Numbers Prestige Romantic Drama With a Cause
Andy Serkis makes his directorial debut with the tale of a paralytic man and his wife.
By
Emily Yoshida
movie review
Oct. 13, 2017
Human Flow
Is Ai Weiwei’s Exhaustive Look at the Plight of the Refugee
The Chinese artist turns his attention to displaced people around the world.
By
Emily Yoshida
Oct. 13, 2017
Jackie Chan’s
The Foreigner
Is Weightier Than Your Standard Revenge Drama
It’s serious to a fault, but it’s unpredictable, and has gravitas.
By
David Edelstein
Oct. 12, 2017
The Simple, Goreless Joys of
Happy Death Day
The movie is no big deal, but its
Groundhog Day
conceit is kind of irresistible.
By
David Edelstein
cannes 2017
Oct. 12, 2017
The Meyerowitz Stories
Is the Best Adam Sandler Film Since
Punch-Drunk Love
Noah Baumbach’s new film shows the director at his most generous and insightful.
By
Emily Yoshida
Oct. 10, 2017
Professor Marston and the Wonder Women
Is Escapist Fare of the Highest Order
The private utopia of the polyamorous trio who brought you Wonder Woman is a pretty nice place to spend a couple of hours.
By
Emily Yoshida
Oct. 6, 2017
Dina
Is a Slight But Sweet Look at a Neurologically Atypical Romance
The Sundance Grand Jury Prize–winning doc drags a bit, but has a lot of heart.
By
Emily Yoshida
Oct. 6, 2017
Take My Nose …Please
, a Buoyant, Troubling Look at Funny Women & Plastic Surgery
Emily Askin and Jackie Hoffman wonder whether going under the knife is empowering or a result of brainwashing.
By
David Edelstein
Oct. 5, 2017
Give Yourself Over to the Ridiculous Fantasy of
The Mountain Between Us
In which the beautiful Idris Elba and Kate Winslet gaze longingly at each other while subtext swirls around them like falling snow.
By
David Edelstein
Oct. 5, 2017
The Death and Life of Marsha P. Johnson
Is a Shattering Documentary
The film investigates the mysterious death of trans activist and icon Marsha P. Johnson — and the city that let it go unsolved for decades.
By
David Edelstein
movie review
Oct. 5, 2017
The Florida Project
Is a Near-Perfect Follow-up From the Director of
Tangerine
It’s a heightening in every way of everything that was great about Baker’s last movie.
By
Emily Yoshida
Oct. 4, 2017
Una
Is a Stage-to-Screen Adaptation That Never Finds Its Momentum
Rooney Mara and Ben Mendelsohn star in the film version of David Harrower’s
Blackbird.
By
Emily Yoshida
Oct. 3, 2017
Faces Places
Is
a Road Movie That Doubles As Agnes Varda’s Artistic Statement
The New Wave legend teams up with street artist JR for a ruminative tour of France.
By
Emily Yoshida
Sept. 29, 2017
Flatliners
Is Embarrassing, Third-Rate, and Unrevivable
The new version loses the original’s most intriguing element, and turns into tidy, cornball, Sunday school moralism.
By
David Edelstein
Sept. 29, 2017
Super Dark Times
Is a Visually Stunning High-School Nightmare
It’s a stylish and confident debut feature from director Kevin Phillips.
By
Emily Yoshida
Sept. 29, 2017
Our Souls at Night
Is a Contrived But Enjoyable Fonda-Redford Reunion
Fifty years after
Barefoot in the Park
, Jane and Robert give us good vibes again.
By
David Edelstein
Sept. 29, 2017
Blade Runner 2049
Can’t Match Its Predecessor
Denis Villeneuve’s vision is more sentimental and less striking than
Blade Runner.
By
David Edelstein
Sept. 28, 2017
American Made
Is the Best Tom Cruise Has Been in Years
The insane tale of a CIA operative/drug smuggler finds the actor at his manic best.
By
Emily Yoshida
Sept. 25, 2017
Victoria & Abdul
Bears a Passing Resemblance to a Good Movie
Stephen Frears’s touch has gotten heavier and more dodderingly tasteful, but Judi Dench has held onto her magic.
By
David Edelstein
Sept. 25, 2017
Battle of the Sexes
Is Buoyant Propaganda — But It’s Very Entertaining
If
Battle of the Sexes
is unsurprising to a fault, it’s by no means a double fault.
By
David Edelstein
Sept. 25, 2017
Kingsman: The Golden Circle
Is Bloated, Campy, and Thoroughly Stupid
A sequel was de rigueur, of course, but what a mess it is.
By
David Edelstein
movie review
Sept. 22, 2017
Stronger
Is Anything But Your Standard Overcoming-the-Odds Tearjerker
Though Gyllenhaal deserves any accolades the film brings him, Maslany’s performance was the one that floored me.
By
Emily Yoshida
Sept. 21, 2017
The Lego Ninjago Movie
Is a Mess for Anyone Unfamiliar With Lego Ninjago Mythos
This movie is in the martial-arts–giant-robot–Asian-fusion Lego business, and don’t you forget it.
By
Emily Yoshida
Sept. 21, 2017
Gaga: Five Foot Two
Is a Superficially Intimate Look at an Awkward Phase
Lady Gaga’s behind-the-scenes documentary premieres on Netflix this week.
By
Emily Yoshida
Sept. 21, 2017
Woodshock
Is an Intriguingly Starry-eyed Trip to Nowhere
Kate and Laura Mulleavy’s directorial debut isn’t light on ideas, it just never completes them.
By
Emily Yoshida
movie review
Sept. 15, 2017
Mother!
Is a Second-Rate, Self-Aggrandizing Tour De Force
Darren Aronofsky’s latest puts Jennifer Lawrence through the mill for no purpose except nurturing a strain of masochism.
By
David Edelstein
Sept. 15, 2017
Brad’s Status
Is a Naked, Grim Exploration of Envy
Even if you relate to Brad, you’ll probably end up wishing he’d save it for his shrink instead of a paying audience.
By
David Edelstein
Sept. 14, 2017
American Assassin
Is Aggressively, Flagrantly Not a Movie We Need Right Now
But it works better if you think of it as a Batman movie.
By
Emily Yoshida
Sept. 14, 2017
The Shape of Water
Is an Utterly Lovely But Complacent Movie
Del Toro’s influences have been distilled and reassembled into a stylized Girl Meets Gill Man fairy tale that shimmers with its filmmaker’s love.
By
David Edelstein
Sept. 12, 2017
Angelina Jolie’s
First They Killed My Father
Is Frustratingly Inert Cinema
Is it unequivocally shitty to be the person lamenting the cinematography in Angelina Jolie’s Khmer Rouge movie?
By
Emily Yoshida
Sept. 8, 2017
The Scarier, Funnier New
It
Easily Surpasses Its Predecessor
The new adaptation is in that rare category of remakes that actually have a mission.
By
Emily Yoshida
Sept. 8, 2017
The Unknown Girl
Is a Gripping Mystery Solved Too Conveniently
But every Dardennes film is worth seeing.
By
David Edelstein
movie review
Sept. 7, 2017
Review: Game-Hunting Doc
Trophy
Refuses to Stoke Easy Outrage
It will leave you angry, sick, and confused — but not smug.
By
David Edelstein
movie review
Sept. 1, 2017
Review:
I Do … Until I Don’t
Is Amusing Until Its Satirical Backbone Gives Way
Don’t let the bohemian title fool you: Lake Bell’s
I Do … Until I Don’t
is the most bougie movie ever made.
By
David Edelstein
Aug. 25, 2017
Bushwick
Is an Alarmingly Timely Thriller With a Shallow Plot
The real threat, it says, is from within, from white men in states like Texas and the Carolinas who view multiculturalism as the enemy.
By
David Edelstein
Aug. 24, 2017
Beach Rats
Is a Slight But Gorgeously Realized Coming-of-Age Story
Eliza Hittman’s story of a Coney Island bro questioning his sexuality is at its best when focusing on mood over plot.
By
Emily Yoshida
Aug. 18, 2017
I Think I Saw
The Hitman’s Bodyguard
, But I Can’t Be Sure
The one with Chris Pine and Tom Hardy? Or, wait …
By
Emily Yoshida
Aug. 18, 2017
Patti Cake$
Is a Gritty Crowd-pleaser That Isn’t a Cliché, Just Cliché-Adjacent
The Sundance hit demonstrates that showbiz go-for-it stories are more alike than unalike, even when they have a vivid countercultural vibe.
By
David Edelstein
Aug. 18, 2017
Gook
Offers a Visually Striking But Distant Korean Perspective on the L.A. Riots
Star and director Justin Chon is using a completely different visual vocabulary to talk about the riots.
By
Emily Yoshida
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