Movie Review - Vulture
Displaying all articles tagged:

Movie Review

  1. Only the Brave Is Proof We Need More Firefighter MoviesThe stirring ensemble drama is everything that’s great about war movies, without the war.
  2. All I See Is You Is One of the Strangest, Most Satisfying Surprises of the FallBlake Lively’s latest is what a Lifetime Movie directed by Gaspar Noé would look like, and it’s kind of great.
  3. Jane Is a Captivating Look at Jane Goodall’s Exploration of ‘the Great Mystery’We disagree on many things, but we can all agree on Jane Goodall.
  4. The Snowman Is a StiffTomas Alfredson’s adaptation of Jo Nesbo’s serial-killer story is a bad match of director and material.
  5. Joan Didion: The Center Will Not Hold Is a Chronicle of an Era-Defining VoiceThe emotional late-career tribute arrives on Netflix October 27.
  6. Todd Haynes’s New Film Is Beautiful. Maybe Too Beautiful.For the first time, Haynes is working with a story whose plot outweighs its concept, as lovely as that concept often is.
  7. movies
    BPM Is a Vital Testament to Public ActionWe should watch BPM and ask, “How disruptive are we willing to be?”
  8. movie review
    Colin Farrell Reunites With His Lobster Director for This Chilling Horror FilmThe Lobster’s Yorgos Lanthimos latest is a bloodcurdling genre treat.
  9. Leatherface Is a Thoroughly Unnecessary Horror Origin StoryWho hasn’t wondered what the guy from Texas Chainsaw Massacre was like as a kid?
  10. Goodbye Christopher Robin Is Overfermented HoneyThe tale of Christopher Robin Milne’s childhood lost is decent but overripe.
  11. Woody Allen’s Wonder Wheel Is Obvious and Old-HatPerhaps Allen doesn’t think people can really transcend anything ever.
  12. Breathe Is a By-the-Numbers Prestige Romantic Drama With a CauseAndy Serkis makes his directorial debut with the tale of a paralytic man and his wife.
  13. movie review
    Human Flow Is Ai Weiwei’s Exhaustive Look at the Plight of the RefugeeThe Chinese artist turns his attention to displaced people around the world.
  14. Jackie Chan’s The Foreigner Is Weightier Than Your Standard Revenge DramaIt’s serious to a fault, but it’s unpredictable, and has gravitas.
  15. The Simple, Goreless Joys of Happy Death DayThe movie is no big deal, but its Groundhog Day conceit is kind of irresistible.
  16. cannes 2017
    The Meyerowitz Stories Is the Best Adam Sandler Film Since Punch-Drunk LoveNoah Baumbach’s new film shows the director at his most generous and insightful.
  17. Professor Marston and the Wonder Women Is Escapist Fare of the Highest OrderThe private utopia of the polyamorous trio who brought you Wonder Woman is a pretty nice place to spend a couple of hours.
  18. Dina Is a Slight But Sweet Look at a Neurologically Atypical RomanceThe Sundance Grand Jury Prize–winning doc drags a bit, but has a lot of heart.
  19. Take My Nose …Please, a Buoyant, Troubling Look at Funny Women & Plastic SurgeryEmily Askin and Jackie Hoffman wonder whether going under the knife is empowering or a result of brainwashing.
  20. Give Yourself Over to the Ridiculous Fantasy of The Mountain Between UsIn which the beautiful Idris Elba and Kate Winslet gaze longingly at each other while subtext swirls around them like falling snow.
  21. The Death and Life of Marsha P. Johnson Is a Shattering DocumentaryThe film investigates the mysterious death of trans activist and icon Marsha P. Johnson — and the city that let it go unsolved for decades.
  22. movie review
    The Florida Project Is a Near-Perfect Follow-up From the Director of TangerineIt’s a heightening in every way of everything that was great about Baker’s last movie.
  23. Una Is a Stage-to-Screen Adaptation That Never Finds Its MomentumRooney Mara and Ben Mendelsohn star in the film version of David Harrower’s Blackbird.
  24. Faces Places Is a Road Movie That Doubles As Agnes Varda’s Artistic StatementThe New Wave legend teams up with street artist JR for a ruminative tour of France.
  25. Flatliners Is Embarrassing, Third-Rate, and UnrevivableThe new version loses the original’s most intriguing element, and turns into tidy, cornball, Sunday school moralism.
  26. Super Dark Times Is a Visually Stunning High-School NightmareIt’s a stylish and confident debut feature from director Kevin Phillips.
  27. Our Souls at Night Is a Contrived But Enjoyable Fonda-Redford ReunionFifty years after Barefoot in the Park, Jane and Robert give us good vibes again.
  28. Blade Runner 2049 Can’t Match Its PredecessorDenis Villeneuve’s vision is more sentimental and less striking than Blade Runner.
  29. American Made Is the Best Tom Cruise Has Been in YearsThe insane tale of a CIA operative/drug smuggler finds the actor at his manic best.
  30. Victoria & Abdul Bears a Passing Resemblance to a Good MovieStephen Frears’s touch has gotten heavier and more dodderingly tasteful, but Judi Dench has held onto her magic.
  31. Battle of the Sexes Is Buoyant Propaganda — But It’s Very EntertainingIf Battle of the Sexes is unsurprising to a fault, it’s by no means a double fault.
  32. Kingsman: The Golden Circle Is Bloated, Campy, and Thoroughly StupidA sequel was de rigueur, of course, but what a mess it is.
  33. movie review
    Stronger Is Anything But Your Standard Overcoming-the-Odds TearjerkerThough Gyllenhaal deserves any accolades the film brings him, Maslany’s performance was the one that floored me.
  34. The Lego Ninjago Movie Is a Mess for Anyone Unfamiliar With Lego Ninjago MythosThis movie is in the martial-arts–giant-robot–Asian-fusion Lego business, and don’t you forget it.
  35. Gaga: Five Foot Two Is a Superficially Intimate Look at an Awkward PhaseLady Gaga’s behind-the-scenes documentary premieres on Netflix this week.
  36. Woodshock Is an Intriguingly Starry-eyed Trip to NowhereKate and Laura Mulleavy’s directorial debut isn’t light on ideas, it just never completes them.
  37. movie review
    Mother! Is a Second-Rate, Self-Aggrandizing Tour De ForceDarren Aronofsky’s latest puts Jennifer Lawrence through the mill for no purpose except nurturing a strain of masochism.
  38. Brad’s Status Is a Naked, Grim Exploration of EnvyEven if you relate to Brad, you’ll probably end up wishing he’d save it for his shrink instead of a paying audience.
  39. American Assassin Is Aggressively, Flagrantly Not a Movie We Need Right NowBut it works better if you think of it as a Batman movie.
  40. The Shape of Water Is an Utterly Lovely But Complacent MovieDel Toro’s influences have been distilled and reassembled into a stylized Girl Meets Gill Man fairy tale that shimmers with its filmmaker’s love.
  41. Angelina Jolie’s First They Killed My Father Is Frustratingly Inert CinemaIs it unequivocally shitty to be the person lamenting the cinematography in Angelina Jolie’s Khmer Rouge movie?
  42. The Scarier, Funnier New It Easily Surpasses Its PredecessorThe new adaptation is in that rare category of remakes that actually have a mission.
  43. The Unknown Girl Is a Gripping Mystery Solved Too ConvenientlyBut every Dardennes film is worth seeing.
  44. movie review
    Review: Game-Hunting Doc Trophy Refuses to Stoke Easy OutrageIt will leave you angry, sick, and confused — but not smug.
  45. movie review
    Review: I Do … Until I Don’t Is Amusing Until Its Satirical Backbone Gives WayDon’t let the bohemian title fool you: Lake Bell’s I Do … Until I Don’t is the most bougie movie ever made.
  46. Bushwick Is an Alarmingly Timely Thriller With a Shallow PlotThe real threat, it says, is from within, from white men in states like Texas and the Carolinas who view multiculturalism as the enemy.
  47. Beach Rats Is a Slight But Gorgeously Realized Coming-of-Age StoryEliza Hittman’s story of a Coney Island bro questioning his sexuality is at its best when focusing on mood over plot.
  48. I Think I Saw The Hitman’s Bodyguard, But I Can’t Be SureThe one with Chris Pine and Tom Hardy? Or, wait …
  49. Patti Cake$ Is a Gritty Crowd-pleaser That Isn’t a Cliché, Just Cliché-AdjacentThe Sundance hit demonstrates that showbiz go-for-it stories are more alike than unalike, even when they have a vivid countercultural vibe.
  50. Gook Offers a Visually Striking But Distant Korean Perspective on the L.A. RiotsStar and director Justin Chon is using a completely different visual vocabulary to talk about the riots.
Load More