Movie Review - Vulture
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Movie Review

  1. movie review
    Hillbilly Elegy Is Not the Fun Kind of BadThe Amy Adams and Glenn Close–led adaptation of J.D. Vance’s memoir says more about an idea of prestige cinema than it does the white working class.
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    The Croods 2 Isn’t Nearly As Fun As Just Repeatedly Saying ‘The Croods’ Out LoudParty on, Croods!
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    Sarah Paulson’s a Terror in Tasteful Mom Garb in the Hulu Thriller RunOne of the takeaways of 2020: Don’t let Sarah Paulson give you medical treatments.
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    Kindred Has Haunted Me for WeeksI can’t stop thinking about what the film suggests — just under the surface — about Blackness, maternal life, and inheritance.
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    The Climb Is the Opposite of a BromanceIt’s a very funny movie about some very serious things.
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    The Santa Action Flick Fatman Is Too Enamored of Its Own ConceptOkay, okay, we get it. It’s got Mel Gibson playing angry Santa Claus.
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    Kate Winslet and Saoirse Ronan Have a Sexy, Empty Romance in AmmoniteThe pair’s period courtship doesn’t have to be Portrait of a Lady on Fire — but it doesn’t have to feel so hollow, either.
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    Freaky Is the Sweetest Body-Swap Slasher Comedy You’ll See This YearThe new film from Vince Vaughn and Kathryn Newton is clever about horror conventions, but its biggest surprise is its streak of sincerity.
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    Kevin Costner and Diane Lane Give the Elegiac Let Him Go Its PowerAnd then a fire-breathing Lesley Manville steals it from them.
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    Netflix’s His House Is Terrifying on Just About Every LevelSocial thrillers are way better when they can actually scare the bejesus out of you.
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    Bad Hair Fails the Very Audience It Seeks to ReflectIf this movie is the love letter to Black women that its director promises, it’s written with a poison pen.
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    The Craft: Legacy Is Progressive, Positive, and Tragically DullThe ’90s teen-witch classic gets a 2020 overhaul that leaves it feeling too woke for … conflict?
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    Netflix’s Over the Moon Is Visually Exquisite and (Sometimes) Quite MovingIt’s a fairy-tale about loss that becomes a boisterous techno-sci-fi extravaganza.
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    On the Rocks Is a Light Comedy About Some Heavy FeelingsRashida Jones and Bill Murray are a daughter and dad who turn up some repressed familial pain in Sofia Coppola’s new film, streaming on Apple TV+.
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    The Witches Contains the Most Extra Anne Hathaway Performance of All TimeI wouldn’t say it’s good, but it’s definitely big.
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    We Should Be Glad Borat Still ExistsHe might be a fake, but we’re still real, and that should be cause for concern.
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    Martin Eden Might Be the Best Film of the YearLuca Marinelli stars in a loose, agonizingly beautiful adaptation of Jack London’s classic novel.
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    Rebecca Is a Hollow, Turgid RetreadThe least this sexless Netflix version of Daphne du Maurier’s novel could do is to look lush and beautiful. Alas.
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    What the Constitution Means to Me Film Unleashes a Boiler Full of FlamesWhen everything feels too overwhelming to watch at home, Heidi Schreck’s Broadway show (streaming on Prime Video) hits the right chord of anger.
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    Honest Thief Is Dadsploitation in a Minor KeyYes, Liam Neeson is getting too old for this shit, but at least this movie realizes it.
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    Aaron Sorkin’s Annoying Tics Are Actually Good in The Trial of the Chicago 7The speeches, the grandstanding, the quips — they totally work in the context of this Netflix courtroom drama.
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    American Utopia Speaks to the Recent Past and, Even More, the PresentIn a way, even the Spike Lee–directed version of David Byrne’s Broadway show, streaming on HBO, allows us to “leave our homes.”
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    Did I See The War With Grandpa? I Don’t Remember.Paycheck De Niro is back, baby.
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    In the Extraordinary Doc Time, a Family Chronicles Two Decades of IncarcerationGarrett Bradley’s remarkable film folds together years of home-movie footage to provide a glimpse into activist Fox Rich’s fight for her family.
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    Hubie Halloween Lets Adam Sandler Be Adam Sandler AgainRejoice! The weird voice is back.
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    The Forty-Year-Old Version Isn’t the Quirky Underdog Comedy It Might Sound LikeGet past the goofy premise and Radha Blank’s debut, headed to Netflix, is about the frustrations of being a Black creator in a white theater scene.
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    Possessor Is a Spectacularly Violent Sci-Fi Thriller From David Cronenberg’s SonBrandon Cronenberg claims more territory on behalf of Canadian sci-fi and horror in his second film.
  28. movie review
    The Antenna Mixes Body Horror, Building Horror, and Political AllegoryThis is one deeply creepy movie.
  29. movie review
    The Glorias Only Does Gloria Steinem Partial JusticeBy jumping through time and four different performances, the movie paints a portrait that is fractured instead of illuminating.
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    Save Yourselves! Is a Small, Charming Comedy About the ApocalypseSunita Mani and John Reynolds bicker and mull their way through an alien invasion.
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    Ava Didn’t Have to Be a CatastropheHow do you screw up a movie in which Jessica Chastain, Colin Farrell, and John Malkovich face off against each other?
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    Enola Holmes Is Millie Bobby Brown’s Show, and She Owns ItSherlock Holmes has a teenage sister, and she’s hilarious.
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    Miranda July Returns with What Might Be Her Best Film YetBefore Kajillionaire, it was tempting to think July’s style of filmmaking had gone out of … well, style.
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    RBG Is the Best Imaginable Retaliation to MansplainingYes, the Ruth Bader Ginsburg doc is a hagiography, but it has its cheeky aspect.
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    Netflix’s The Devil All the Time Is a Sadistic SlogChoose Your Own Adventure, but for generational trauma.
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    Jude Law and Carrie Coon Are Gorgeously Dysfunctional in The NestIn the new film from the director of Martha Marcy May Marlene, a family slowly implodes after moving into a crumbling house in the U.K. countryside.
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    I Am Tired of Films Like AntebellumThis movie had the opportunity to show a more dynamic side of slavery narratives, but it ends up reaffirming the very horror it is trying to critique.
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    Class Action Park Forces Us to Wrestle With Toxic NostalgiaThe HBO Max documentary starts out a fun flashback to a recklessly operated theme park, but it says something deeper about America’s nature.
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    Mulan Is a Dour Drag of a Movie (But a Fascinating Cultural Object)In trying to square Disney girl-power tendencies with perceived Chinese values, the new remake ends up in a baffling limbo of motivations.
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    Hell Is Our Own Neuroses in I’m Thinking of Ending ThingsCharlie Kaufman’s new Netflix movie is wry, surreal, and an artistic dead end.
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    Forget What You’ve Heard, Cuties Is a Moving Coming-of-age DramaA young girl torn between two cultures tries to find her place in the coming-of-age Netflix movie condemned sight unseen by many online.
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    Bill & Ted Face the Music Feels As Unstuck in Time As Its CharactersThat’s not a bad thing!
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    Dev Patel Does Dickens Well in The Personal History of David CopperfieldVeep creator Armando Iannucci has a light touch with the Victorian classic.
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    In the New Phineas and Ferb Movie, There Is Justice for CandaceThe Disney+ movie based on the animated series is a fun trip that is both familiar and a little bit new.
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    Tenet Is a Locked Puzzle Box With Nothing InsideChristopher Nolan’s new movie can feel like Timecop with a superiority complex. It’s mostly entertaining and entirely baffling.
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    Train to Busan Presents: Peninsula Is No Train to BusanThe sequel is more like a tepid Mad Max knockoff.
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    Russell Crowe’s Road-Rage Thriller Unhinged Isn’t Worth Getting COVID-19 ForCrowe gets good and glowering as a driver on a killing spree, but this thriller isn’t nearly clever enough to merit any sense of moviegoing urgency.
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    Tesla Is a Bizarre, Bewitching Anti-BiopicSee Ethan Hawke sing “Everybody Wants to Rule the World.”
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    Sputnik Is a Thoughtful, If Modest, Russian Riff on AlienWe’ll take it.
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    Project Power Is a Depressingly Uninspired Off-Brand Superhero StoryJoseph Gordon-Levitt, Dominique Fishback, and Jamie Foxx star in a would-be Netflix blockbuster with a clever premise and crummy follow through.
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