A Travis Scott album is never just about Travis Scott. That means when you fire up your streaming service of choice and listen through Astroworld, youâre presented with a bunch of all caps titles without any features listed, even though there are plenty. Spoiler alert: Drake is on here, and so is Frank Ocean, and also John Mayer (why not?).
Travis Scott, the human being, is one person. But the Travis Scott that manifests on his album is more of a loose, open-ended collective of voices, vocal effects, and reverence for hip-hopâs not-so-distant past. Nowhere is that more apparent than on â5% Tint,â a song that uses the piano loop from Goodie Mobâs all-time classic âCell Therapyâ for no specific reason other than that it is very good, and then incorporates the high-pitched vocal run from Kanye Westâs âWolves.â
One of the great things about rap is that it innovates so rapidly that by the time youâve got a handle on one style, everyoneâs already moved on to something else. But on â5% Tint,â Scott and producer FKi 1st seem more than happy to stick to the past. Rock music has existed for so long that there are people making classic rock who werenât around when classic rock was new. In his own way, Travis Scott is doing that too. The question doesnât really seem to be âIs he adding anything new to the conversation?â so much as it is âDoes he even need to anymore?â