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The Dead Donā€™t Die Is the Funniest Adam Driver Performance in Years

Photo: Frederick Elmes/Focus

This article was originally published during 2019ā€™s Festival de Cannes. We are republishing the piece as the film releases into theaters.

Ever since becoming a big movie star a few years back, Adam Driver hasnā€™t had as many opportunities to demonstrate the comedy chops he showed off early in his career. Those are the kinds of trade-offs you make when you sign up for Star Wars, but still, thank heavens for Jim Jarmuschā€™s The Dead Donā€™t Die, which just kicked off this yearā€™s Cannes Film Festival, for reminding us all of what a joy the actor can be when he leans fully into his laconic weirdo mode.

For an opening film, Jarmuschā€™s zombie comedy had something of a muted reception upon its premiere Tuesday night. Itā€™s not hard to see why: Itā€™s a screwy, meta romp so casual even the impending zombie apocalypse is greeted with nothing more than a half-hearted shrug. That kind of tone is not ideal for anything approaching stakes or satire, but the laid-back vibe works great for Driver ā€” the filmā€™s whole deal is a slow serve that lets him put as much English on his lines as possible.

And what English it is! As one of a pair of cops in small-town Pennsylvania fighting back the undead hordes, Driver already had a minor moment when the internet cottoned on to the way he said the word ghouls in the filmā€™s trailer, summoning every bit of his Julliard training to pronounce the word with equal parts intensity and absurdity. Iā€™m here to tell you, the full film has plenty more where that came from. Did you know you needed the experience of hearing Adam Driver saying the phrase ā€œcoroner from Latrobeā€ in your life? Probably not, but youā€™ll be glad you did.

Alongside the aforementioned ghouls, here are some more common words Driver manages to invest with previously unseen levels of silliness: yuck, bad news, decapitate, and reanimated. He also announces, apropos of very little, that he has ā€œan affinity for Mexicans,ā€ with a stentorian tone that somehow brings to mind the glory days of Mitt Romney.

Jarmusch clearly knows what heā€™s got in Driver, and he has a lot of fun with the actorā€™s physical frame, jamming him into a tiny Smartcar for no reason I can think of except that it looks incredibly goofy. He made it a convertible, too, just so we can get an even closer look at how ridiculous the hulking actor looks tooling around rural Pennsylvania in a tiny car. (Or maybe because Driver simply wouldnā€™t fit in it otherwise.)

Thereā€™s a lot going on in The Dead Donā€™t Die, and ultimately, in a film that includes not only zombies but also aliens, samurai swords, fracking jokes, Tom Waits as a backwoodsman, and numerous breakings of the fourth wall, Driver serves as a crucial grounding force. Heā€™s responsible for most of Jarmuschā€™s zanier meta touches, but thanks to his deadpan delivery, they land more than they donā€™t. When Driverā€™s character reminds Bill Murray that the song theyā€™re listening to is the theme song of the movie theyā€™re in, heā€™s not doing it with a nod or a wink; heā€™s simply stating a fact because itā€™s true. Just like itā€™s true theyā€™re not dealing with wild animals, or even multiple animals, but ā€œfull-on, flesh-eating zombie shit.ā€ Or, as Driver puts it in a moment that still brings the house down even after everyone knows itā€™s coming, ā€œghouls.ā€

Dead Donā€™t Die Adam Driver Is Funniest Heā€™s Been in Years