Every week between now and February 8, when the Academy Award nominations are announced, Vulture will consult its crystal ball to determine the changing fortunes of this yearâs Oscars race. In our âOscar Futuresâ column, weâll let you in on insider gossip, parse brand-new developments, and track industry buzz to figure out whoâs up, whoâs down, and whoâs currently leading the race for a coveted Oscar nomination.
Best Picture
Donât Look Up
Adam McKayâs star-studded asteroid comedy has begun to screen, and while holiday obligations prevented your Oscar Futures blogger from attending, early viewers seem convinced McKay has done it again. Scott Feinberg likens the film to a modern-day Dr. Strangelove, calling it âfunny, sickening, brilliant,â though Clayton Davis hints that, annoyance-wise, Donât Look Up may skew closer to Vice than The Big Short. Regardless, McKayâs brand of smartypants satire has proven to be the exception to the Academyâs general aversion to humor. With Nightmare Alley and West Side Story also set to bow in a few weeks, December is going to be a crowded month for Best Picture hopefuls. Is there room for all of them?
King Richard
Exhibit B in the case of Oscars v. Box Office is King Richardâs underwhelming sub-$6 million opening. (Exhibit A was The Last Duel, which weâll get to below.) On one hand, itâs not ideal for a purported crowdpleaser when those crowds do not show up. On the other, everything thatâs not based on beloved IP has struggled this fall, and a human-scaled drama like King Richard is the kind of movie most liable to see its box office cannibalized by HBO Max. The movieâs A Cinemascore is a sign that those who do see the film are enjoying it, so King Richard may yet rally.
Current Predix
Being the Ricardos, Belfast, Donât Look Up, Dune, King Richard, Licorice Pizza, The Lost Daughter, Nightmare Alley, The Power of the Dog, West Side Story
Best Director
Adam McKay, Donât Look Up
Were you aware that McKay has more Best Director nominations than Jane Campion, Kenneth Branagh, Denis Villeneuve, Guillermo Del Toro, and Wes Anderson? In other words, while the former Anchorman helmer is up against plenty of big-name auteurs, Oscar history suggests itâs them who should be worried about him â particularly as Davis calls Donât Look Up the strongest of his recent work.
Ridley Scott, House of Gucci
Ridley Scott is using the promo tour for his new movie to relitigate the failure of his last one. However, considering that last one only came out six weeks ago, weâll give him a pass. Appearing on Mark Maronâs WTF, Scott blamed the failure of The Last Duel on âthe audiences who were brought up on these fucking cell phones,â setting off yet another round of Millennial (or as he put it, âMillennianâ) discourse. The micro-controversy was the perfect distraction from House of Gucciâs middling reviews, many of which ding Scott for failing to craft a compelling take on the juicy material.
Current Predix
Paul Thomas Anderson, Licorice Pizza; Kenneth Branagh, Belfast; Jane Campion, The Power of the Dog; Pablo LarraĂn, Spencer; Denis Villeneuve, Dune
Best Actor
Leonardo DiCaprio, Donât Look Up
You have to go back to The Great Gatsby to find the last time Leo starred in a movie and did not get nominated for an Oscar. According to Davis, he delivers âanother knockout performance,â though there are suggestions his part is more head of the ensemble than scene-dominating lead. The news that DiCaprio was paid $5 million more than co-star Jennifer Lawrence has the potential to cause a kerfuffle, but Lawrence has done her best to downplay the drama.
Will Smith, King Richard
Last week I noted that, if any actor had the stamina to get through the six-month marathon of self-promotion that is the Oscar race, it was Smith. As if on cue, this week yet another tidbit from his memoir about weird sex stuff went viral. (The phrase âpsychosomatic reaction to orgasmsâ is involved.) Iâm not sure how all these headlines will affect his chances, but one thing is certain: By the time the Oscars roll around, we will know what this manâs entire prostate looks like.
Current Predix
Benedict Cumberbatch, The Power of the Dog; Andrew Garfield, Tick, Tick ⌠Boom!; Simon Rex, Red Rocket; Will Smith, King Richard; Denzel Washington, The Tragedy of Macbeth
Best Actress
Jennifer Lawrence, Donât Look Up
It wasnât so long ago that J. Law was on one of the great Oscar runs: four nominations in six years, plus one win. Donât Look Up marks her first film role since X-Men: Dark Phoenix, and now a Vanity Fair cover story goes deep into the actressâs decision to step away from the spotlight. Sheâs top billed in the new film, though the role might be more of a charisma play than an actorly showcase. Davis notes Lawrenceâs TERF-banged grad student is âhands down the most âlikableâ character but seems to be missing the âOscar clipâ that is needed to break out.â Will the Academy welcome her back into the club anyway?
Tessa Thompson, Passing
Itâs roundtable season! Thompson made it into the Hollywood Reporter actress roundtable alongside a quartet of names attached to splashier projects (and also Coda newcomer Emilia Jones). Buzz for her has been building since Passing hit Netflix, and some free facetime is just the thing a modest, minor-key performance needs to build momentum. A win at Mondayâs Gotham Awards, where Thompson is one of 10 nominees in the newly gender-neutral Lead Performance category, would be even sweeter.
Current Predix
Olivia Colman, The Lost Daughter; PenÊlope Cruz, Parallel Mothers; Lady Gaga, House of Gucci; Nicole Kidman, Being the Ricardos; Kristen Stewart, Spencer
Best Supporting Actor
Jared Leto, House of Gucci
In the words of Lady Sovereign, âLove me or hate me, itâs still an obsession.â As the House of Gucci embargo lifts, youâll be hard-pressed to find a critic who doesnât have something to say about Letoâs mozzarella-faced interpretation of Paolo Gucci. âThink Chef Boy-Ar-Dee in a bald wig and latex jowls,â writes Dana Stevens. âYouâve heard of ham?â A.O. Scott asks. âLeto goes full mortadella.â This may not be the best performance in the Supporting Actor race, but itâs certainly the biggest.
Richard Jenkins, The Humans
Like Mass and Coda, The Humans is a tiny, critically acclaimed ensemble piece that could make some noise in the supporting categories â provided, of course, enough voters manage to see it. In the case of The Humans, that may prove difficult: The Broadway adaptation is only playing on Showtime and in extremely limited release. So let me give the pitch! Jenkins is terrific in this existential family dramedy as a Boomer dad traumatized by New York City. Hopefully the A24 cachet and stellar reviews will be enough to get The Humans into the race.
Current Predix
Jamie Dornan, Belfast; Ciarån Hinds, Belfast; Richard Jenkins, The Humans; Jared Leto, House of Gucci; Kodi Smit-McPhee, The Power of the Dog
Best Supporting Actress
Meryl Streep, Donât Look Up
The rules of journalism state that â no matter the project, no matter the role â if Meryl Streep is in a movie, her performance must be mentioned in Oscar-watch columns. The clips we have seen indicate a broadly comedic Meryl performance in the vein of her Mary Poppins Returns cameo, and the post-screening reports have done little to dispel that notion, with more praise going to Cate Blanchettâs turn as a Botoxed cable-news anchor.
Kirsten Dunst, The Power of the Dog
Would you look at that: Dunst was the only supporting-actress contender invited to the THR actress roundtable. Consider it a sign of her elevated stature in this race. Though she has plenty of competition from Aujanue Ellis and the Belfast ladies, Dunst also has the benefit of twenty years of movie stardom on her side.
Current Predix
CatrĂona Balfe, Belfast; Judi Dench, Belfast; Kirsten Dunst, The Power of the Dog; Aunjanue Ellis, King Richard; Ruth Negga, Passing
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- The Unwritten Rule That Still Shapes Oscar Campaigns