They are those eternal, evergreen words, handed down from song to song as if sent from the heavens above: âIâm too sexy for my shirt, so sexy it hurts.â That ancient proverb, of course, is courtesy of English duo Right Said Fred and their 1991 anthem âIâm Too Sexy.â
A delightfully narcissistic track dedicated to self-empowerment (at least, thatâs one read on it), the bandâs novelty ode to shaking little tushes dominated the culture upon release, hitting number one in several countries and catapulting brothers Richard and Fred Fairbrass to the front of public consciousness. In 2022, their imprint on the cultural zeitgeist is surprisingly profound: In the past year, weâve heard that refrain interpolated on Drakeâs chart-topper âWay 2 Sexy,â and once again on âAlien Superstarâ off of BeyoncĂŠâs latest record, Renaissance.
On the heels of Beyâs take, hereâs (mostly) every interpolation of the âIâm too sexy for [INSERT THING HERE]â riff, ranked by how sexy it really is.
TOO SEXY
âAlien Superstar,â BeyoncĂŠ
In this album standout, BeyoncĂŠâs role as ethereal Virgo goddess is on full display. Almost all of Renaissance is an ode to the self, so itâs only fitting that a song that contains instantly quotable lines like âcategory: bad bitch, Iâm the barâ interpolates the most quotable tribute to the self there is. âIâm too classy for this world,â she sings, over sweeping synthesizers and Honey Dijon production. Itâs BeyoncĂŠ, so we believe her, but the lines are flipped so well that theyâd land no matter who managed to sing them.
âLook What You Made Me Do,â Taylor Swift
One of the most creative uses of the original, and perhaps a favorite. On âLook What You Made Me Do,â Taylor throws both of the Fairbrass brothers a writing credit for the chorus of her monster hit. Unlike the others on this list, it doesnât lift any of the lyrics; itâs the simple cadence that Swift uses, which couldâve maybe gone under the radar if it wasnât for her and eternal Good Guy Jack Antonoff throwing the duo a bone. Itâs also a favorite of Right Said Fredâs: In their Rolling Stone interview, Fred Fairbass said, âI like the cynical aspect of the lyric [in âLook What You Made Me Doâ], because âIâm Too Sexyâ is a cynical song, and I think she channeled that quite well.â
âToo Cocky,â YG
Hip-hopâs use of Right Said Fred tends to skew towards extremes, either being incredibly fitting or terribly misplaced (as seen later down the list). Thankfully, YGâs take from his third studio album, Stay Dangerous, belongs to the former. The originalâs inherent swagger is part of the charm; the duoâs cockiness is something YG effortlessly harnesses. âIâm too cocky for my shirt ⌠too cocky, I know my worth.â Exactly, king!
âHepatic Portal,â Nmesh
Contrary to most of the other entries on the list, electronic producer Nmesh uses a sample of âIâm Too Sexyâ for the 2017 track âHepatic Portal.â Without the help of whosampled.com, the clips might not stand out to an untrained ear, but a dedicated Fred-head would recognize the deep, reverberating voice next to Katy Perry and an obscure Dr. Seuss film. If youâve ever listened to an Against All Logic record and clocked the samples in real time, this oneâs right up your alley.
âMore Than Money,â Kooley High
Kooley Highâs âMore Than Moneyâ came out only four years ago, but would fit perfectly with the breezy, Wiz Khalifaâadjacent blog rap of the late 2000s and early 2010s. Thereâs an easiness to it, an immaculately produced track with a sauntering bass line; when the Right Said Fred interpolation comes almost three minutes into the track, itâs done with such a playfulness that you can hear rapper Charlie Smarts smiling on the other side. Itâs silly, reflecting the ethos of the original.
KINDA SEXY
âGet Sexy,â Sugababes
This one kind of straddles the line of categories here â Iâm not nearly as familiar with the Sugababes as I should be (sorry, Brits) and most of the song is giving C-tier Danity Kane. However, despite whatever Right Said Fred intended the song to be â tongue-in-cheek, self-serious, or otherwise â they always have fully devoted themselves to the bit. On this track, the Sugababes follow suit, aided by the Smeezingtonsâ writing and production.
âNeva Fadedâ â Lords of the Underground feat. Supreme C
The only reason âNeva Fadedâ isnât higher is because the interpolation is only found in one line. At the end of the first verse, Mr. Funke passes it off to the chorus with âIâm out (Why?) âCause Iâm too sexy for this song.â For the sake of discussion, it counts.
âAlive,â Kato & Electric Lady Lab
Right Said Fred has come to embody a certain kind of danceable Eurotrash over the years. On âAlive,â Danish DJ Kato incorporates the actual vocals of the Fairbrass brothers in a song that is exactly that: hollow yet danceable European club music. In a way, it represents a facet of the song that is continually glossed over: its cheesiness!
âKeenon Jackson,â YG
Six years before âToo Cockyâ was released, YG tackled the same lyrics on âKeenon Jackson.â Produced by Mustard, the track doesnât leave much of an impact and includes some unsavory lines about Asian women.
âToo Cocky,â Guapdad 4000
Though the title might suggest otherwise, the Guapdad 4000 song is not a remix nor an homage to the excellent YG version. It even came out eight days before Stay Dangerous. Both tracks share a refrain â âIâm too cockyâ â but the similarities end there. Itâs perfectly a fine take; but when put next to YG, it canât compare. Apologies to Guapdad 4000; maybe he heard âKeenon Jacksonâ and decided to put his own spin on things?
NOT SEXY AT ALL
âWay 2 Sexy,â Drake, Future, Young Thug
Extremely, indubitably unsexy. Right Said Fredâs song is camp; to strip that all away in favor of drowsy, meandering algorithm bait removes all the character embodied in the original âIâm Too Sexy.â It doesnât deserve the direct sample at the top, and almost certainly doesnât deserve lines like âIâm way too sexy to go unprotected.â The video also doesnât do it any favors. The OVO team is consistently excellent when it comes to making samples work; itâs even worse, then, that âWay 2 Sexyâ is that charmless.
âBatshit,â Sofi Tukker
So, weâve spent a lot of time debating sexiness, but part of the beauty of the original song is that itâs not sexy. Fred and Richard Fairbrass spend so much time talking about how attractive they are in their daily lives that it takes on the opposite desired effect: horseshoeing around into being incredibly unsexy. They even say this in their Rolling Stone interview: ââSexyâ was not really making fun of those people, but making fun of people who thought they were those people.â It doesnât seem like Sofi Tukker understands this. On âBatshit,â the duo anchors the track around an interpolation, effectively trying to make the song sexy to honor the material. It doesnât work.
âToo Sexy,â Inna
Something about this is so annoying to me. âToo Sexyâ fits somewhere between an Ibiza party anthem and Old Navy commercial-core. The last minute and a half repeats over and over, âIâm too sexy for your love.â As shown by this list, there are so many good ways to spin that line, so why must the one Inna lands on be so boring?
âLes Anticipateurs,â Paradis
If someone can explain Quebecois rap to me I would appreciate it.
âMy Testicles,â Ariel and Efrim
Okay, this fits into the ânot sexyâ category with a caveat: Itâs supposed to be that way. In this digital short from season 31 of Saturday Night Live, Andy Samberg and Tom Hanks are the duo Ariel and Efrim, a tribute both in appearance and spirit to the members, and vibe, of Right Said Fred. âPlease donât cut off their testicles,â they beg â incredibly, delightfully unsexy.