Alison Willmore is a film critic for New York magazine and Vulture. Formerly, she was the only critic at BuzzFeed News, the first TV editor at IndieWire, and the host of Filmspotting: SVU.
Sydney Sweeney Is Unreally Great in RealityThe Euphoria star plays whistleblower Reality Winner in an HBO film that turns the actual FBI interrogation transcript into a thriller.
God’s Lonely Man Gets Laid AlreadyPaul Schrader’s Master Gardener plays less like a thematic finale and more like God’s lonely man finally got sick of his own company too.
Polite Society Pulls Its PunchesNida Manzoor’s big-screen debut is an immigrant-family dramedy by way of a martial-arts movie, and it’s fun without being satisfying.
Renfield Sucks a Funny Premise DryNicholas Hoult and Nicolas Cage are fun when playing Renfield and Dracula as a dysfunctional work relationship — shame about the rest of the movie.
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Just Let Michelle Williams Work, Damn It!In Kelly Reichardt’s wonderful new comedy, Showing Up, Williams plays a sculptor on deadline who keeps getting pulled away.
Rye Lane Makes Romantic Comedy Look EasyWatching these two dorky-hip 20-somethings banter around South London may make you wonder why we’re so worried about the fate of the rom-com.
Paul Mescal Is Our Disappointment HeartthrobOther heartthrobs exude swagger or sex, but Mescal emanates something more devastating: the irresistible promise of eventually letting you down.
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Magic Mike Shouldn’t DateChanning Tatum’s Mike Lane is the holy hunk, and his own desires seem incidental — tough stuff when you’re supposed to be half of a steamy couple.
M3gan Is Good Enough for JanuaryThis horror comedy may have gone viral thanks to its Olsen-faced murder machine, but it’s Allison Williams who makes it watchable.
Park Chan-wook Leaves You HangingHis latest film, Decision to Leave, may be romantic, but that doesn’t mean the director is done with extreme violence.