Writing Through the MomentThe Kings are known for making TV that captures the Zeitgeist. It’s a high-wire act that’s gotten trickier post-Trump.
tv review
The Handsome Tragedies of Y: The Last ManThe FX on Hulu show poses spiky questions about gender, family, and human nature in the midst of trauma. Does it have the skill to answer them?
movie review
Candyman Is a Soulless, Didactic ReimaginingNia DaCosta and Jordan Peele’s horror sequel gravely misunderstands the allure of the original and has nothing meaningful to say on its own.
Them Is Pure Degradation PornHeavy on torture and low on meaning, the Little Marvin–created, Lena Waithe–produced series reveals the empty promise of representation in Hollywood.
Euphoria Special Recap: Most GirlsIn its second, Jules-centric holiday special, the series returns to its ostentatious roots, undercutting the potential of its own story.
endings
Emerald Fennell Explains HerselfHer icy film Promising Young Woman set off a fascinating conversation about what we expect from rape-revenge stories.
movie review
The Empty Spectacle of Wonder Woman 1984The disappointing sequel highlights not only the dire state of the live-action superhero genre, but the dire state of Hollywood filmmaking as a whole.
Small Axe Is a RevelationSteve McQueen’s Lovers Rock is undoubtedly one of the most transfixing films of the year.
movie review
Kindred Has Haunted Me for WeeksI can’t stop thinking about what the film suggests — just under the surface — about Blackness, maternal life, and inheritance.
The Failure of Mrs. America’s Phyllis SchlaflyRevisiting the show, I started to think about Bette Davis’s performance in In This Our Life and what it takes to create a white female villain.
I Am Tired of Films Like AntebellumThis movie had the opportunity to show a more dynamic side of slavery narratives, but it ends up reaffirming the very horror it is trying to critique.