Bilge Ebiri is a film critic for New York and Vulture. His work has appeared in The Village Voice, the New York Times, Rolling Stone, and the Criterion Collection.
movie review
Cocaine Bear Is, in Fact, a MovieElizabeth Banks’s comedy-action thriller is half kids’ adventure, half slasher flick, all cult movie.
Super Troopers Continues to Slow BurnBroken Lizard reunited to talk lethal soap, liters of cola, too much syrup, and the perks of having made a modern cult classic.
The Cult of DanielsHow the directors of the universe-hopping kung fu family drama Everything Everywhere All at Once became unlikely Oscar front-runners.
movie review
This Is a Cry for HelpNobody in Ant-Man and the Wasp: Quantumania looks like they want to be there. They don’t even look like they know where there is.
Empire of Light Is Somber, Static, and ShallowStarring Olivia Colman, Micheal Ward, and Colin Firth, Sam Mendes’s film about mental illness and racism in early ’80s England is wan and lifeless.
Smile Should Smile MoreThe new horror film starts out in a wonderfully creepy and inventive fashion but eventually devolves into generic horror tedium.
Blonde Wants to Hurt YouAt times, Andrew Dominik’s movie, starring Ana de Armas as Marilyn Monroe, feels like a slaughterhouse seen from the animal’s point of view.
the perfect scene
A Hell of an IntroductionHow director Romain Gavras and his cast and crew created the year’s wildest movie opening.