Alison Willmore is a film critic for New York magazine and Vulture. Formerly, she was the only critic at BuzzFeed News, the first TV editor at IndieWire, and the host of Filmspotting: SVU.
The Brutalist Is Half Of A Great MovieA terrific Adrien Brody anchors this three-and-a-half-hour American saga whose ambitions end up exceeding its grasp.
Are We Getting The Substance All Wrong?The Demi Moore horror film is being hailed for its feminism, but its real strength is in its portrayal of addictive behavior.
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In Search of a More Welcoming RealityJane Schoenbrun’s I Saw the TV Glow is an enveloping, confounding film about isolation, gender transition, and Buffy the Vampire Slayer.
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A Different Man Might Be Overthinking ThingsSebastian Stan is very good in this droll, distant drama about being unable to escape yourself, but it’s Adam Pearson who brings the film to life.
My Old Ass Is Low-Key DevastatingMaisy Stella and Aubrey Plaza star in a rewarding coming-of-age story about getting the chance to advise your teenage self.
venice 2024
What Is the New Standard for American Cinema?The movies in competition at the 2024 Venice Film Festival told a story of a porous U.S. film world, a washed up scene, or something in between.
Yorgos Lanthimos Is Not Your FriendPoor Things was an empowerment fantasy. Kinds of Kindness is a return to the director’s primary interest — control.
Tim Burton Is Great AgainBeetlejuice Beetlejuice isn’t just a nostalgic retread — it’s a jolting reminder of what makes the director so seductive.
Josh Hartnett Gives Grade-A Murder Daddy in TrapM. Night Shyamalan’s latest works better than should be possible because of Hartnett, who plays a monster wearing the skin of a devoted family man.
Catherine Breillat Is Back, BabyThe transgressive French filmmaker is in fine, fucked-up form with Last Summer, about a middle-age lawyer who starts sleeping with her stepson.