Guy Ritchie Goes Brutally PoshThe purveyor of British gangster sagas goes upscale for his Inglourious Basterds knockoff, The Ministry of Ungentlemanly Warfare.
In Fallout, the Joke Is on HumanityNot quite the raucous comedy it’s billed as, Lisa Joy and Jonathan Nolan’s heady new video-game adaptation is basically Westworld 2.0.
ByNicholas Quah
endings
Tokyo Vice Goes to PressJake’s big exposé, and what it took to publish it, cements the series as a great gangster show that’s also a great journalism show.
Our Sweetheart of the RodeoBeyoncé’s Cowboy Carter chronicles an artist with a voice pliable enough (and a following large enough) to crash whatever scene she pleases.
Did We Really Need Kaiju to Get All Cute?Godzilla x Kong: The New Empire doesn’t deliver the giant-monster goods, but it does make its creatures disconcertingly adorable.
3 Body Problem’s Imagination ProblemIn ignoring humanity’s wider reaction to the end of the world, the Netflix adaptation fails to find gravity in its final scene.
A New Road House by Way of Looney TunesJake Gyllenhaal is better at oddballs than heroes — thank God he’s playing one of the former in this Road House remake.
ByAlison Willmore
achievement in tv yelling
Shōgun’s Class ClownAs the volatile John Blackthorne, Cosmo Jarvis is high-key giving the comedic performance of the year.
A Final Farewell to Ryuichi SakamotoA new concert film, Opus, represents the culmination of a lifelong journey from effusive maximalism to gentle simplicity.
