Craig Jenkins is a critic who writes about music and television and comedy and video games. He was a 2021 finalist for the Pulitzer Prize in Criticism.
Lil Nas X Deserves a Better IndustryBuried under all the frustrating discourse is Montero, a short, sweet album about learning to love yourself and demanding respect.
How Colson Whitehead Pulled It OffHis new novel is Harlem Shuffle, a very New York story about life in the gray area between legitimacy and hustle.
album review
Everything Is Exactly the SameCertified Lover Boy is a patient trickle of Drake lore and fan service that could have come out as is at almost any point along the last decade.
Halsey’s Rock Album Is Perfect AlchemyIf I Can’t Have Love, I Want Power is proof Trent Reznor could have a pop career if he wanted. It’s also the best Halsey album.
one great story
The Reintroduction of Lorde, Reluctant RoyalSolar Power seems anxious to shatter our expectations, to communicate that Lorde isn’t and maybe never was the figure many assumed she was.
I Don’t See an End to ThisDaBaby’s vile remarks about gay sex and AIDS mixed with the furor over Lil Nas X’s “Industry Baby” have made for the eye of a perfect shitstorm.
backstories
Welcome 2 Prince’s AmericaAs told by the band who helped make the late legend’s “lost” album Welcome 2 America over a decade ago — never released until now.
Tyler, the Creator Has Come Full CircleThe disaffected, lanky teen from Bastard is made now, but Call Me If You Get Lost feels like there’s still a chip on his shoulder.
Lorde Has Risen But Only Halfway“Solar Power” feels more like a carefree vacation update than the blockbuster comeback we’ve been anticipating since the simpler times.
DJ Khaled Will Never Change. Why Should He?The garrulous personality, the faithful positivity, and the seemingly bottomless thirst for self-promotion have been there all along.
The Curious Case of Lana Del ReyIt could be lighter for her if she adapted a bit and explained herself less. But keeping the same energy remains core to the LDR experience.