Vulture and New York TV critic Jen Chaney previously worked for the Washington Post and has bylines at the New York Times and Vanity Fair. She also wrote As If: The Complete Oral History of Clueless.
What’s Tom’s Deal in This Week’s Succession?Let’s assess, on the fuck-or-get-fucked spectrum, exactly how things are going for Tom at the end of season-four premiere ‘The Munsters.’
The Last of Us Will Invade Your PsycheThe HBO video-game adaptation is a reminder of how effective postapocalyptic storytelling can be no matter how well trod the territory.
The Standout TV Performances of 2022Individually and collectively, these 14 performers embody what made this year’s television interesting and special.
Going West with the Cast of Tulsa KingThe Paramount+ series showrunner and stars break down the mechanics of dropping a mobster in the middle of Oklahoma.
The Problem With DahmerThe series states its aim to humanize those affected by the serial killer’s crimes, but it can’t resist a base attraction to its central monster.
The Emmys Really Tried Some ThingsLike TV itself, the Emmys were a little too much too fast. But within that chaos were some unexpected, truly sublime moments.
The Patient Is All Killer, No FillerSteve Carell and Domhnall Gleeson deliver strong performances in a thought-provoking thriller that succeeds by keeping its focus narrow.
The 102 Best Movie Sequels of All TimeWho in the world wanted a Top Gun sequel? Not even Tom Cruise, but that didn’t stop Maverick from getting made and soaring in our ranks.
a long talk
Kim Wexler’s Curtain CallBetter Call Saul’s Rhea Seehorn looks back on six seasons spent getting inside ‘an extremely inscrutable character.’
